Ernő Dohnányi: A Discography of the Performer

IF 0.1 3区 艺术学 Q4 Arts and Humanities Studia Musicologica Pub Date : 2022-12-09 DOI:10.1556/6.2022.00003
Ferenc J. Szabó
{"title":"Ernő Dohnányi: A Discography of the Performer","authors":"Ferenc J. Szabó","doi":"10.1556/6.2022.00003","DOIUrl":null,"url":null,"abstract":"The performances of Ernő Dohnányi as pianist and conductor were preserved on numerous sound recordings. He was involved in the recording industry first in 1905, and his death was notoriously caused by a cold suffered in a recording studio in 1960. His interpretation is preserved on different audio media: piano rolls, 78rpm and Long Play discs, x-ray foils and reel-to-reel tapes. Although the number of his studio recordings, made for commercial purposes, is relatively small, the amount of live concert and home recordings, including the huge collection of unpublished recordings made in the USA between 1945 and 1960, expands it to a significant corpus of sound recordings. This article contains the complete discography of Ernő Dohnányi as a performer. The discography provides all available data of the studio and live recordings of Dohnányi, including the data of reissues (closing date: June 2022). It is preceded by an article in which Dohnányi's discography is analysed from several aspects. The analysis of the recorded repertoire sets the stage for further research on Dohnányi's interpretation; however, lost recordings are also reviewed. Dohnányi's controversial relationship to the technical media, and vice versa the recording firms changing interest in him as a performer, are also discussed in detail, involving several sources formerly unknown to Dohnányi research.","PeriodicalId":34943,"journal":{"name":"Studia Musicologica","volume":null,"pages":null},"PeriodicalIF":0.1000,"publicationDate":"2022-12-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Studia Musicologica","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1556/6.2022.00003","RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q4","JCRName":"Arts and Humanities","Score":null,"Total":0}
引用次数: 0

Abstract

The performances of Ernő Dohnányi as pianist and conductor were preserved on numerous sound recordings. He was involved in the recording industry first in 1905, and his death was notoriously caused by a cold suffered in a recording studio in 1960. His interpretation is preserved on different audio media: piano rolls, 78rpm and Long Play discs, x-ray foils and reel-to-reel tapes. Although the number of his studio recordings, made for commercial purposes, is relatively small, the amount of live concert and home recordings, including the huge collection of unpublished recordings made in the USA between 1945 and 1960, expands it to a significant corpus of sound recordings. This article contains the complete discography of Ernő Dohnányi as a performer. The discography provides all available data of the studio and live recordings of Dohnányi, including the data of reissues (closing date: June 2022). It is preceded by an article in which Dohnányi's discography is analysed from several aspects. The analysis of the recorded repertoire sets the stage for further research on Dohnányi's interpretation; however, lost recordings are also reviewed. Dohnányi's controversial relationship to the technical media, and vice versa the recording firms changing interest in him as a performer, are also discussed in detail, involving several sources formerly unknown to Dohnányi research.
查看原文
分享 分享
微信好友 朋友圈 QQ好友 复制链接
本刊更多论文
恩涅尔Dohnányi:表演者的唱片
ErnöDohnányi作为钢琴家和指挥家的表演被保存在许多录音中。1905年,他第一次涉足唱片业,1960年,他在录音室因感冒去世,这是出了名的。他的诠释被保存在不同的音频媒体上:钢琴卷、78转/分钟和长播放光盘、x射线箔和卷对卷磁带。尽管他为商业目的录制的录音室录音数量相对较少,但现场音乐会和家庭录音的数量,包括1945年至1960年间在美国录制的大量未发表的录音,将其扩展为大量录音。这篇文章包含了作为一名表演者的ErnõDohnányi的完整唱片。唱片公司提供了Dohnányi工作室和现场录音的所有可用数据,包括重新发行的数据(截止日期:2022年6月)。在这之前,有一篇文章从几个方面分析了Dohnányi的唱片学。对记录曲目的分析为进一步研究多恩尼的诠释奠定了基础;然而,丢失的录音也会被审查。Dohnányi与技术媒体的争议性关系,以及唱片公司对他作为一名表演者的兴趣的改变,也被详细讨论,涉及到Dohnónyi研究以前未知的几个来源。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
求助全文
约1分钟内获得全文 去求助
来源期刊
Studia Musicologica
Studia Musicologica Arts and Humanities-Music
CiteScore
0.10
自引率
0.00%
发文量
0
期刊最新文献
For the Honorary Doctorate of Sir John Eliot Gardiner “Some Sort of Machine without a Body” “Breughelland”: Subverting the Antinomy of Utopia and Dystopia The Hybrid Musical Landscape of Ligeti's Late Concertos “Die Natur ist hier … zu Musik geworden”: György Ligeti and (Musical) Nature
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
×
提示
您的信息不完整,为了账户安全,请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
现在去查看 取消
×
提示
确定
0
微信
客服QQ
Book学术公众号 扫码关注我们
反馈
×
意见反馈
请填写您的意见或建议
请填写您的手机或邮箱
已复制链接
已复制链接
快去分享给好友吧!
我知道了
×
扫码分享
扫码分享
Book学术官方微信
Book学术文献互助
Book学术文献互助群
群 号:481959085
Book学术
文献互助 智能选刊 最新文献 互助须知 联系我们:info@booksci.cn
Book学术提供免费学术资源搜索服务,方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。
Copyright © 2023 Book学术 All rights reserved.
ghs 京公网安备 11010802042870号 京ICP备2023020795号-1