In the service of secrecy: An enveloped history of priority, proof and patents

IF 0.9 3区 社会学 Q3 ANTHROPOLOGY Journal of Material Culture Pub Date : 2021-09-01 DOI:10.1177/13591835211028880
Eva Hemmungs Wirtén
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引用次数: 2

Abstract

This article is about an everyday paper object: an envelope. However, as opposed to most other flat paper containers, the enveloppe Soleau can only be bought from L’Institut national de la propriété industrielle (INPI) in Paris. At the cost of €15 you get a perforated, double-compartment envelope allowing you to constitute proof of creation and assign a precise date to your idea or project. But the enveloppe Soleau is something much more than just a simple and cheap way by which you can prove priority in any creative domain. It is a material footprint anchored to centuries of practices associated with disclosure and secrecy, a gateway into the infrastructure of the intellectual property system and its complicated relationship to the forms of knowledge it purports to hold. The purpose of this article is to consider the making of the enveloppe Soleau as a bureaucratic document, a material device performing a particular kind of legal paperwork. In four different vignettes, the article tracks the material becoming of the enveloppe Soleau as an evidentiary receptacle, beginning by going back to early modern practices of secrecy and priority, continuing with its consolidation in two patents (from 1910 and 1911) to the inventor Eugène Soleau (1852–1929), and ending up, in 2016, dematerialized in the e-Soleau. As a bureaucratic document, the enveloppe Soleau shows just how much work a mundane paper object can perform, navigating a particular materiality (a patented double envelope); formalized processes of proof (where perforations have legal significance); the practices of double archiving (in an institution and with the individual) and strict temporal limitations (a decade). Ultimately, the enveloppe Soleau travels between the material and immaterial, between private and public, between secrecy and disclosure, but also between what we perceive of as the outside and inside of the intellectual property system.
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为保密服务:优先权、证据和专利的包罗万象的历史
这篇文章是关于一个日常用纸:一个信封。然而,与大多数其他平面纸容器不同的是,Soleau信封只能从巴黎的L 'Institut national de la propriindustrielle (INPI)购买。花15欧元,你就能得到一个穿孔的双层信封,你可以在里面填写创作证明,并为你的创意或项目指定一个精确的日期。但是,包络梭罗不仅仅是一种简单而廉价的方式,你可以通过它来证明你在任何创意领域的优先权。它是一个物质足迹,与几个世纪以来与披露和保密相关的实践紧密相连,是通往知识产权体系基础设施及其与其声称拥有的知识形式之间复杂关系的门户。本文的目的是考虑制作信封Soleau作为一种官僚文件,一种执行特定类型的法律文书工作的材料设备。在四个不同的小片段中,文章追溯了梭罗信封作为证据容器的材料演变过程,从早期现代的保密和优先权实践开始,继续将其合并为发明者欧格·梭罗(1852-1929)的两项专利(从1910年和1911年),并在2016年结束,在电子梭罗中非物质化。作为一份官僚文件,索罗的信封展示了一个普通的纸物体可以完成多少工作,通过一种特殊的材料(专利的双层信封);正式的证明过程(其中穿孔具有法律意义);双重存档的做法(在一个机构和个人)和严格的时间限制(十年)。最终,梭罗在物质和非物质,私人和公共,秘密和公开之间穿梭,同时也在我们所认为的知识产权制度的外部和内部之间穿梭。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
CiteScore
1.80
自引率
0.00%
发文量
30
期刊介绍: The Journal of Material Culture is an interdisciplinary journal designed to cater for the increasing interest in material culture studies. It is concerned with the relationship between artefacts and social relations irrespective of time and place and aims to systematically explore the linkage between the construction of social identities and the production and use of culture. The Journal of Material Culture transcends traditional disciplinary and cultural boundaries drawing on a wide range of disciplines including anthropology, archaeology, design studies, history, human geography, museology and ethnography.
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