{"title":"Human rights and posthuman poetics in contemporary Irish poetry: technology, media, ecology","authors":"Anne Karhio","doi":"10.1080/17521483.2022.2075167","DOIUrl":null,"url":null,"abstract":"ABSTRACT This article examines a series of poems by contemporary Irish authors writing in English, and focuses on the role of media technology in considering post-human ethics and human rights issues in these poems. Human rights discourse has faced the challenge of addressing the broadening of the category of ‘human’ through post-human ethics and aesthetics. What is therefore needed is a consideration of how the sphere or concept of human rights can encompass what Rosi Braidotti describes as ‘post-human subjects of knowledge – embedded, embodied and yet flowing in a web of relations with human and non-human others’. This theoretical framework informs the article's discussion of selected poems, how these poems approach human rights conflicts and violations in a distinctively post-human context, and how different manifestations of media technology shape and reflect such discussions. Poetry, technology, and the post-human subject are understood as equally embedded in the material, cultural, and political assemblages within which human rights and post-human ethics also emerge.","PeriodicalId":42313,"journal":{"name":"Law and Humanities","volume":"16 1","pages":"102 - 122"},"PeriodicalIF":0.3000,"publicationDate":"2022-01-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Law and Humanities","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/17521483.2022.2075167","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q3","JCRName":"LAW","Score":null,"Total":0}
引用次数: 0
Abstract
ABSTRACT This article examines a series of poems by contemporary Irish authors writing in English, and focuses on the role of media technology in considering post-human ethics and human rights issues in these poems. Human rights discourse has faced the challenge of addressing the broadening of the category of ‘human’ through post-human ethics and aesthetics. What is therefore needed is a consideration of how the sphere or concept of human rights can encompass what Rosi Braidotti describes as ‘post-human subjects of knowledge – embedded, embodied and yet flowing in a web of relations with human and non-human others’. This theoretical framework informs the article's discussion of selected poems, how these poems approach human rights conflicts and violations in a distinctively post-human context, and how different manifestations of media technology shape and reflect such discussions. Poetry, technology, and the post-human subject are understood as equally embedded in the material, cultural, and political assemblages within which human rights and post-human ethics also emerge.
期刊介绍:
Law and Humanities is a peer-reviewed journal, providing a forum for scholarly discourse within the arts and humanities around the subject of law. For this purpose, the arts and humanities disciplines are taken to include literature, history (including history of art), philosophy, theology, classics and the whole spectrum of performance and representational arts. The remit of the journal does not extend to consideration of the laws that regulate practical aspects of the arts and humanities (such as the law of intellectual property). Law and Humanities is principally concerned to engage with those aspects of human experience which are not empirically quantifiable or scientifically predictable. Each issue will carry four or five major articles of between 8,000 and 12,000 words each. The journal will also carry shorter papers (up to 4,000 words) sharing good practice in law and humanities education; reports of conferences; reviews of books, exhibitions, plays, concerts and other artistic publications.