{"title":"The Matter of Matter","authors":"Michael Tawa","doi":"10.1080/13264826.2021.1940478","DOIUrl":null,"url":null,"abstract":"For anyone struck by the cinema of Armenian filmmaker Sergei Paradjanov, Gilles Deleuze’s contention that his Sayat Nova (1969) represents “ponderous matter roused by the spirit”1 is an instructive...","PeriodicalId":43786,"journal":{"name":"Architectural Theory Review","volume":"25 1","pages":"391 - 393"},"PeriodicalIF":0.2000,"publicationDate":"2021-08-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Architectural Theory Review","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/13264826.2021.1940478","RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"ARCHITECTURE","Score":null,"Total":0}
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Abstract
For anyone struck by the cinema of Armenian filmmaker Sergei Paradjanov, Gilles Deleuze’s contention that his Sayat Nova (1969) represents “ponderous matter roused by the spirit”1 is an instructive...
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