Journeying Toward Center with the late Nancy Topf

IF 0.1 3区 艺术学 0 DANCE DANCE CHRONICLE Pub Date : 2023-05-04 DOI:10.1080/01472526.2023.2173943
Kristin Marrs
{"title":"Journeying Toward Center with the late Nancy Topf","authors":"Kristin Marrs","doi":"10.1080/01472526.2023.2173943","DOIUrl":null,"url":null,"abstract":"I recently expressed to a friend my desire to “stay centered” during a challenging situation. Although my friend and I both intuitively understood the meaning of this common phrase, my own understanding of “center” was challenged and enriched while reading the late Nancy Topf’s newly published book, aptly subtitled The Anatomy of Center. Topf developed and founded Topf Technique/Dynamic AnatomyVR , a somatic practice in the Ideokinetic lineage of Mabel Todd and Barbara Clark. A dancer who came to somatic work for the same reason so many do—a desire to move with freedom and without pain—Topf’s life and the documentation of her life’s research were tragically cut short by a plane crash in 1998. Her longtime student Hetty King took on the task of editing and publishing Topf’s manuscript. In doing so, King has provided somatic practitioners, dancers, dance educators, and those seeking strategies for embodied living with an invaluable resource. King has clearly divided Topf’s writing into digestible chapters describing distinct anatomical regions of the body—such as mouth, the feet and hands, and the crucial psoas at the center of it all. The reader is guided along a non-linear but logical path through the body, as each chapter offers visualizations, images, and philosophical ideas about anatomy. The chapters can be approached independently and yet are interdependent, creating a web-like understanding of the body through overlapping experiences and concepts. The book is a workbook, and the reader is explicitly instructed to take time with the offered images and exercises. I couldn’t ignore this instruction; Topf’s thoughtful writing and attention to detail inspired me to read the text with care. I consumed small chunks of each chapter over many weeks, and Topf’s movement explorations and visualizations immediately made their way into my dancing and teaching practices. Although a newcomer to this technique, I heard Topf’s voice permeating the book, and I felt intimately guided by her kindness, patience, and humor. A sense of whimsy pervades the text; each exploration is relayed","PeriodicalId":42141,"journal":{"name":"DANCE CHRONICLE","volume":"46 1","pages":"150 - 153"},"PeriodicalIF":0.1000,"publicationDate":"2023-05-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"DANCE CHRONICLE","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/01472526.2023.2173943","RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"DANCE","Score":null,"Total":0}
引用次数: 0

Abstract

I recently expressed to a friend my desire to “stay centered” during a challenging situation. Although my friend and I both intuitively understood the meaning of this common phrase, my own understanding of “center” was challenged and enriched while reading the late Nancy Topf’s newly published book, aptly subtitled The Anatomy of Center. Topf developed and founded Topf Technique/Dynamic AnatomyVR , a somatic practice in the Ideokinetic lineage of Mabel Todd and Barbara Clark. A dancer who came to somatic work for the same reason so many do—a desire to move with freedom and without pain—Topf’s life and the documentation of her life’s research were tragically cut short by a plane crash in 1998. Her longtime student Hetty King took on the task of editing and publishing Topf’s manuscript. In doing so, King has provided somatic practitioners, dancers, dance educators, and those seeking strategies for embodied living with an invaluable resource. King has clearly divided Topf’s writing into digestible chapters describing distinct anatomical regions of the body—such as mouth, the feet and hands, and the crucial psoas at the center of it all. The reader is guided along a non-linear but logical path through the body, as each chapter offers visualizations, images, and philosophical ideas about anatomy. The chapters can be approached independently and yet are interdependent, creating a web-like understanding of the body through overlapping experiences and concepts. The book is a workbook, and the reader is explicitly instructed to take time with the offered images and exercises. I couldn’t ignore this instruction; Topf’s thoughtful writing and attention to detail inspired me to read the text with care. I consumed small chunks of each chapter over many weeks, and Topf’s movement explorations and visualizations immediately made their way into my dancing and teaching practices. Although a newcomer to this technique, I heard Topf’s voice permeating the book, and I felt intimately guided by her kindness, patience, and humor. A sense of whimsy pervades the text; each exploration is relayed
查看原文
分享 分享
微信好友 朋友圈 QQ好友 复制链接
本刊更多论文
与已故的南希·托普夫一起走向中心
最近,我向一位朋友表达了在充满挑战的情况下“保持专注”的愿望。尽管我和我的朋友都直观地理解了这个常见短语的含义,但在阅读已故南希·托普夫最新出版的书时,我对“中心”的理解受到了挑战和丰富,这本书的副标题恰如其分,叫做《中心解剖》。Topf开发并创立了Topf Technique/Dynamic AnatomyVR,这是Mabel Todd和Barbara Clark的等速谱系中的一项身体实践。作为一名舞者,她从事身体工作的原因与许多人的原因相同——渴望自由而不痛苦地移动——托普夫的生活和她一生研究的文件在1998年的一次飞机失事中不幸中断。她的长期学生赫蒂·金承担了编辑和出版托普夫手稿的任务。在这样做的过程中,金为身体从业者、舞者、舞蹈教育者和那些寻求具体生活策略的人提供了宝贵的资源。金明确地将托普夫的作品分为易于理解的章节,描述了身体的不同解剖区域,如口腔、脚部和手部,以及处于这一切中心的关键腰大肌。读者被引导沿着一条非线性但合乎逻辑的路径穿过身体,因为每一章都提供了关于解剖学的可视化、图像和哲学思想。这些章节可以独立处理,但又是相互依存的,通过重叠的经验和概念创造了对身体的网络式理解。这本书是一本工作簿,明确要求读者花时间阅读所提供的图像和练习。我不能忽视这个指示;托普夫深思熟虑的写作和对细节的关注激发了我仔细阅读文本的灵感。我花了好几个星期的时间阅读每一章的小部分,托普夫的动作探索和视觉化立即进入了我的舞蹈和教学实践。虽然我是这门技术的新手,但我听到托普夫的声音渗透到了书中,我感到她的善良、耐心和幽默深深地指引着我。文本中弥漫着一种异想天开的感觉;每次探测都会转播
本文章由计算机程序翻译,如有差异,请以英文原文为准。
求助全文
约1分钟内获得全文 去求助
来源期刊
CiteScore
0.40
自引率
0.00%
发文量
22
期刊介绍: For dance scholars, professors, practitioners, and aficionados, Dance Chronicle is indispensable for keeping up with the rapidly changing field of dance studies. Dance Chronicle publishes research on a wide variety of Western and non-Western forms, including classical, avant-garde, and popular genres, often in connection with the related arts: music, literature, visual arts, theatre, and film. Our purview encompasses research rooted in humanities-based paradigms: historical, theoretical, aesthetic, ethnographic, and multi-modal inquiries into dance as art and/or cultural practice. Offering the best from both established and emerging dance scholars, Dance Chronicle is an ideal resource for those who love dance, past and present. Recently, Dance Chronicle has featured special issues on visual arts and dance, literature and dance, music and dance, dance criticism, preserving dance as a living legacy, dancing identity in diaspora, choreographers at the cutting edge, Martha Graham, women choreographers in ballet, and ballet in a global world.
期刊最新文献
Introduction to Issue 47.3 Strolling from Jazz to Funk Unruly Choreographies and the Contradictions of Safety Authenticities of K-pop Cover Dance Influencers in/from Bali, Indonesia Cross-cultural Identities: An interdisciplinary analysis of the jota in The Three-Cornered Hat (1919)
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
×
提示
您的信息不完整,为了账户安全,请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
现在去查看 取消
×
提示
确定
0
微信
客服QQ
Book学术公众号 扫码关注我们
反馈
×
意见反馈
请填写您的意见或建议
请填写您的手机或邮箱
已复制链接
已复制链接
快去分享给好友吧!
我知道了
×
扫码分享
扫码分享
Book学术官方微信
Book学术文献互助
Book学术文献互助群
群 号:481959085
Book学术
文献互助 智能选刊 最新文献 互助须知 联系我们:info@booksci.cn
Book学术提供免费学术资源搜索服务,方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。
Copyright © 2023 Book学术 All rights reserved.
ghs 京公网安备 11010802042870号 京ICP备2023020795号-1