A Death Squad Dossier: Counterrevolutionary Policing, Photographs of Disappearing Identities and Evidentiary Aesthetics in Postwar Guatemala

IF 0.3 2区 艺术学 0 ART History of Photography Pub Date : 2021-10-02 DOI:10.1080/03087298.2022.2118435
J. Mazariegos
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引用次数: 1

Abstract

This article is concerned with photographic images and identity photographs utilised for military counterinsurgent policing in Guatemala City during the civil war (1960–96), in the context of Latin America’s Cold War. The article explores the historical conditions that made militarised policing and its photographic record possible in Guatemala, focusing on a dossier produced in the early 1980s known as Diario Militar. The article pays attention to aesthetic and evidentiary regimes that rely on the indexical force of photographs under circumstances in which indexicality fails. In doing so, it elaborates on counterrevolutionary policing as a way of seeing and not being seen, producing photographic images that at once identify political subjects and attempt to disappear their identities, and how these photographic imaginaries are being re-signified in contemporary struggles for justice in postwar Guatemala.
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死亡小队档案:反革命警察、身份消失的照片和战后危地马拉的证据美学
本文关注的是内战期间(1960-96),在拉丁美洲冷战的背景下,危地马拉城用于军事反叛乱警察的照片和身份照片。这篇文章探讨了危地马拉实现军事化警务的历史条件及其摄影记录,重点是20世纪80年代初制作的一份名为《军事日记》的档案。本文关注在索引性失效的情况下,依赖照片索引力的美学和证据制度。在这样做的过程中,它详细阐述了反革命警务作为一种被看到和不被看到的方式,产生了既能识别政治主体又试图消失其身份的摄影图像,以及这些摄影想象是如何在战后危地马拉的当代正义斗争中被重新表达的。
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来源期刊
CiteScore
0.30
自引率
50.00%
发文量
23
期刊介绍: History of Photography is an international quarterly devoted to the history, practice and theory of photography. It intends to address all aspects of the medium, treating the processes, circulation, functions, and reception of photography in all its aspects, including documentary, popular and polemical work as well as fine art photography. The goal of the journal is to be inclusive and interdisciplinary in nature, welcoming all scholarly approaches, whether archival, historical, art historical, anthropological, sociological or theoretical. It is intended also to embrace world photography, ranging from Europe and the Americas to the Far East.
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