The Conservation of Cloud Pattern-painted Boots (1800–1600 BP) Excavated in Yingpan, Xinjiang

IF 0.8 4区 化学 0 ARCHAEOLOGY Studies in Conservation Pub Date : 2022-06-16 DOI:10.1080/00393630.2022.2086403
Hailiang Yang, Hailing Zheng, Yang Zhou, Geng Niu, Huali Dai
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Abstract

ABSTRACT Yingpan, Xinjiang, was an important site on the Silk Road of China. A large number of precious objects with exquisite patterns have been excavated from this site, and they provide valuable physical evidence for the study of the cultural exchanges between China and the rest of the world. The conservation methods applied to a pair of cloud pattern-painted boots excavated in Yingpan, Xinjiang, are introduced in this paper, and the various factors influencing the repair process are explained. The results show that an oil-in-water emulsifier with contaminant removal and antibacterial functions effectively softened the hardened and deformed ancient leather. The use of near infrared spectroscopy (NIR) to evaluate the dosage of the softening agent can prevent excessive use of softening agents on historical leathers. A silk crepeline method was used to influence the physical reinforcement of the boots without affecting their appearance. It improved the fiber strength of the ancient textiles. This article is a good reference for conservators seeking to repair ancient leather products with textiles.
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新疆营盘出土云纹彩绘靴(1800–1600 BP)的保护
新疆营盘是中国丝绸之路上的重要遗址。该遗址出土了大量图案精美的珍贵文物,为研究中国与世界各国的文化交流提供了宝贵的物证。介绍了新疆营盘出土的一双云纹彩绘靴的修复方法,并对影响修复过程的各种因素进行了说明。结果表明,具有除污抑菌功能的水包油乳化剂能有效软化硬化变形的古皮革。使用近红外光谱(NIR)来评价柔软剂的用量,可以防止在历史皮革上过量使用柔软剂。在不影响靴子外观的前提下,采用丝织线法对靴子进行物理加固。它提高了古代纺织品的纤维强度。本文对利用纺织品修复古皮革制品具有一定的参考价值。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Studies in Conservation
Studies in Conservation 化学-分析化学
CiteScore
1.80
自引率
12.50%
发文量
73
审稿时长
>12 weeks
期刊介绍: Studies in Conservation is the premier international peer-reviewed journal for the conservation of historic and artistic works. The intended readership includes the conservation professional in the broadest sense of the term: practising conservators of all types of object, conservation, heritage and museum scientists, collection or conservation managers, teachers and students of conservation, and academic researchers in the subject areas of arts, archaeology, the built heritage, materials history, art technological research and material culture. Studies in Conservation publishes original work on a range of subjects including, but not limited to, examination methods for works of art, new research in the analysis of artistic materials, mechanisms of deterioration, advances in conservation practice, novel methods of treatment, conservation issues in display and storage, preventive conservation, issues of collection care, conservation history and ethics, and the history of materials and technological processes. Scientific content is not necessary, and the editors encourage the submission of practical articles, review papers, position papers on best practice and the philosophy and ethics of collecting and preservation, to help maintain the traditional balance of the journal. Whatever the subject matter, accounts of routine procedures are not accepted, except where these lead to results that are sufficiently novel and/or significant to be of general interest.
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