Teatr cieni: „Wieczór w Teatrze Wielkim” Stanisława Balińskiego

Iwona Puchalska
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引用次数: 0

Abstract

The text is devoted to an emigration poem by Stanisław Baliński, A Night at the Grand Theatre (1943), in which the Warsaw opera became a synecdoche of the pre-war Warsaw, and the entire poetic structure is built as a kind of virtual stage on which special characters appear and perform their roles. This text is an interesting contribution to the research on the influence of the imaginarium of the musical theatre on the imagination of twentieth-century poets, and at the same time performs a specific functionalisation of the operatic character – in several meanings of the word.
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影子剧院:斯坦尼斯瓦夫·巴林斯基的《大剧院之夜》
文本致力于Stanisław Baliński的一首移民诗,《大剧院之夜》(1943),其中华沙歌剧成为战前华沙的喻指,整个诗歌结构被构建为一种虚拟舞台,特殊人物在其中出现并履行他们的角色。这篇文章对音乐剧的想象力对二十世纪诗人想象力的影响的研究做出了有趣的贡献,同时在这个词的几个含义中执行了歌剧角色的特定功能化。
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来源期刊
Poznanskie Studia Polonistyczne Seria Literacka
Poznanskie Studia Polonistyczne Seria Literacka Arts and Humanities-Literature and Literary Theory
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发文量
17
审稿时长
14 weeks
期刊最新文献
Podróże z Hanną Szumańską-Grossową „Dobra reprodukcja obrazów”. „Dzieło” Émile’a Zoli w przekładach Aleksandry Callierowej i Hanny Szumańskiej-Grossowej Angielskie strofy i polska lutnia. O przekładach „Melodii hebrajskich” George’a Gordona Byrona pióra Antoniego Edwarda Odyńca Światopogląd jako styl. „Klucze Piotrowe” Rogera Peyrefitte’a w przekładzie Hanny Szumańskiej-Grossowej jako ogniwo tradycji Hanna Szumańska-Grossowa wspomina Konstantego Ildefonsa Gałczyńskiego
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