Technical approach and curative conservation and restoration processes of a papier machê giant: “La Turca” from the Corpus de Xàtiva

IF 0.4 0 HUMANITIES, MULTIDISCIPLINARY Conservar Patrimonio Pub Date : 2021-05-21 DOI:10.14568/CP2020073
Antoni Colomina Subiela, Vicent Guerola Blay, Anastasia Papenkova
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引用次数: 0

Abstract

The festive culture encompasses different representations that enrich the collective imagination as elements of heritage identity reinforcement. Giants and big heads are a statement of such folkloric richness, symbolically linked to the tradition of immaterial connotation. This article contextualizes, historically and ichnographically, one of the papier mâche giants from the Corpus Christi festival in the Valencian city of Xativa. The technical, material and physiognomic examination of the sculpture, popularly known as “La Turca”, served as a preliminary study to determine its state of conservation. As a festive element used in processions, this sculpture exhibited significant structural and dimensional problems, as well as previous intrusive interventions, especially in polychrome areas, repeatedly applied with the purpose to recover the work’s appearance. Finally, based on the preliminary examinations, curative conservation and restoration treatments were performed, aimed at the most relevant deteriorations.
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纸质巨人machê的技术方法和治疗性保护和修复过程:来自Xàtiva的“La Turca”
节日文化包含不同的表现形式,作为强化遗产身份的元素,丰富了集体想象力。巨人和大头是如此丰富的民俗陈述,象征性地与非物质内涵的传统联系在一起。这篇文章从历史和平面图的角度,对巴伦西亚城市沙蒂瓦的科珀斯克里斯蒂艺术节上的一位壁纸巨头进行了背景分析。这座雕塑被普遍称为“La Turca”,其技术、材料和外观检查是确定其保护状态的初步研究。作为游行中使用的节日元素,这座雕塑表现出了重大的结构和尺寸问题,以及之前的侵入性干预,尤其是在多色区域,为了恢复作品的外观而反复应用。最后,在初步检查的基础上,针对最相关的恶化进行了治疗性保存和修复治疗。
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来源期刊
Conservar Patrimonio
Conservar Patrimonio HUMANITIES, MULTIDISCIPLINARY-
CiteScore
0.80
自引率
0.00%
发文量
5
审稿时长
12 weeks
期刊介绍: Conservar Património is a journal, published three times a year, that intends to create a space for the diffusion of conservator-restorers’ studies and activities. However, at a time when Conservation-Restoration pretends to develop further through collaboration with other areas of knowledge, such as History of Art, Archaeology, Museum Studies, Chemistry, Physics, Biology and other related disciplines from the fields of the natural and social sciences, the journal also receives contributions from any other provenance as long as directed towards the multiple dimensions of the works that integrate our Cultural Heritage. Theoretical issues on the conservation activity may also be submitted.
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