‘The Voice of Thunder’: The Formulaic Nature of the Gothic Type-Scene

IF 0.2 0 HUMANITIES, MULTIDISCIPLINARY Gothic Studies Pub Date : 2023-03-01 DOI:10.3366/gothic.2023.0155
M. Aguirre
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Abstract

This article rounds off an intensive study of formulaicity in Gothic fiction. After briefly recapping analysis on the compositional levels of formula, formulaic pattern and tableau in the novel The Necromancer (1794), the article concentrates on the next compositional level, the type-scene, understood as an aggregate of tableaux. It shows that the type-scene depicting ghostly apparitions systematically resorts to the same lexical fields and techniques of composition, and that these foreground language over content; the type-scene thus constructed exhibits a multiform structure, and strongly resembles ‘other’ type-scenes respectively depicting a tempest and the Wild Hunt. Detailed analysis leads to seven hypotheses regarding the structure of these type-scenes, the most general of which being that a metonymic principle appears to govern Gothic narrative composition. These hypotheses suggest themselves as stepping-stones towards the construction of a poetics of the Gothic.
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《雷声之声》:哥特字体场景的公式化本质
这篇文章结束了对哥特式小说中公式性的深入研究。在简要回顾了小说《亡灵巫师》(1794)中公式、公式模式和画面的构成层次后,文章将注意力集中在下一个构成层次,即类型场景,即画面的集合。它表明,描绘幽灵的类型场景系统地诉诸于相同的词汇场和构图技巧,并且这些前景语言凌驾于内容之上;由此构建的类型场景呈现出多样化的结构,与分别描绘暴风雨和荒野狩猎的“其他”类型场景极为相似。详细的分析得出了关于这些类型场景结构的七个假设,其中最普遍的是转喻原则似乎支配着哥特式叙事结构。这些假设表明自己是哥特式诗学建设的垫脚石。
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来源期刊
Gothic Studies
Gothic Studies HUMANITIES, MULTIDISCIPLINARY-
CiteScore
0.30
自引率
0.00%
发文量
22
期刊介绍: The official journal of the International Gothic Association considers the field of Gothic studies from the eighteenth century to the present day. Gothic Studies opens a forum for dialogue and cultural criticism, and provides a specialist journal for scholars working in a field which is today taught or researched in academic institutions around the globe. The journal invites contributions from scholars working within any period of the Gothic; interdisciplinary scholarship is especially welcome, as are studies of works across the range of media, beyond the written word.
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