{"title":"Writing the Hearing Line: Telling Family Stories of Deafness","authors":"J. Kirkness","doi":"10.1080/14484528.2022.2120133","DOIUrl":null,"url":null,"abstract":"ABSTRACT The history of the deaf has been regarded as ‘A history of misunderstandings’ [de Saint-Loup, A. 1996. “A History of Misunderstandings: The History of the Deaf.” Diogenes 44 (175): 1–25]. Literary writing about deaf lives is so rare that scholars discuss the ‘invisibility’ of deafness in the cultural imaginary (McDonald, D. 2011. “HEARSAY: How Stories About Deafness and Deaf People are Told.” PhD diss., Griffith University). In response to this dearth of literature, this paper considers the unique potential of creative nonfiction writing to offer new epistemological understandings of ‘the hearing line’—‘the invisible boundary between the deaf and the hearing’ (Krentz, C. 2007. “Writing Deafness: The Hearing Line in Nineteenth Century Literature.” USA: University of North Carolina Press, 2). I discuss the process of writing a memoir, titled ‘A Sense of You’, which explores my relationship with my Deaf grandparents. By engaging with family history and stories, this work provides a window to interactions across the hearing line. I argue for the value of literary representations that disrupt existing understandings of both deafness and hearing, utilising family history and creative nonfictionto animate lived experience. Through engagement with Deaf Studies philosophy, this paper troubles medical understandings of deafness.","PeriodicalId":43797,"journal":{"name":"Life Writing","volume":"20 1","pages":"25 - 44"},"PeriodicalIF":0.3000,"publicationDate":"2022-09-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Life Writing","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/14484528.2022.2120133","RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"LITERATURE","Score":null,"Total":0}
引用次数: 0
Abstract
ABSTRACT The history of the deaf has been regarded as ‘A history of misunderstandings’ [de Saint-Loup, A. 1996. “A History of Misunderstandings: The History of the Deaf.” Diogenes 44 (175): 1–25]. Literary writing about deaf lives is so rare that scholars discuss the ‘invisibility’ of deafness in the cultural imaginary (McDonald, D. 2011. “HEARSAY: How Stories About Deafness and Deaf People are Told.” PhD diss., Griffith University). In response to this dearth of literature, this paper considers the unique potential of creative nonfiction writing to offer new epistemological understandings of ‘the hearing line’—‘the invisible boundary between the deaf and the hearing’ (Krentz, C. 2007. “Writing Deafness: The Hearing Line in Nineteenth Century Literature.” USA: University of North Carolina Press, 2). I discuss the process of writing a memoir, titled ‘A Sense of You’, which explores my relationship with my Deaf grandparents. By engaging with family history and stories, this work provides a window to interactions across the hearing line. I argue for the value of literary representations that disrupt existing understandings of both deafness and hearing, utilising family history and creative nonfictionto animate lived experience. Through engagement with Deaf Studies philosophy, this paper troubles medical understandings of deafness.
摘要聋人的历史被认为是“误解的历史”[de Saint Loup,A.1996。《误解的历史:聋人的历史》,第欧根尼44(175):1-25]。关于聋人生活的文学作品非常罕见,以至于学者们讨论了聋人在文化想象中的“隐形”(McDonald,D.2011)。“听力:关于耳聋和聋人的故事是如何讲述的。”博士diss。,格里菲斯大学)。针对文献的匮乏,本文考虑了创造性非虚构写作的独特潜力,以提供对“听觉线”——“聋人和听力之间的无形边界”的新的认识论理解(Krentz,C.2007)。《写作失聪:19世纪文学中的听力线》,美国:北卡罗来纳大学出版社,2)。我讨论了写回忆录的过程,书名为《你的感觉》,探讨了我与聋人祖父母的关系。通过参与家族历史和故事,这部作品为跨听力线的互动提供了一个窗口。我主张文学表征的价值,它破坏了对耳聋和听力的现有理解,利用家族历史和创造性的非虚构作品来生动地体验生活。本文通过对聋人研究哲学的介入,对医学界对耳聋的理解提出了质疑。