{"title":"The Empress, the Elector and the Painter","authors":"Ben Pope","doi":"10.7227/BJRL.94.2.1","DOIUrl":null,"url":null,"abstract":"German MS. 2 is a previously unstudied armorial dating from the mid-sixteenth\n century. This article shows that it was produced in the workshop of Lucas\n Cranach the Younger for Elector August of Saxony, and that it was copied from an\n earlier armorial of c.1500 which was kept in Cranach’s\n workshop, probably as reference material. Much of the original content and\n structure of this ‘old armorial’ has been preserved in Rylands\n German 2. On this basis, the original armorial can be located in a late\n fifteenth-century Upper German tradition of armorial manuscripts known as the\n ‘Bodensee’ group. It was also closely linked to the Habsburg\n dynasty, and appears to have been dedicated to Empress Bianca Maria Sforza. The\n armorial therefore opens significant new perspectives on the relationships\n between artists and heraldry and between women and heraldic knowledge, and on\n ways of visualising the Holy Roman Empire through heraldry.","PeriodicalId":80816,"journal":{"name":"Bulletin. John Rylands University Library of Manchester","volume":" ","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2018-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.7227/BJRL.94.2.1","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Bulletin. John Rylands University Library of Manchester","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.7227/BJRL.94.2.1","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
Abstract
German MS. 2 is a previously unstudied armorial dating from the mid-sixteenth
century. This article shows that it was produced in the workshop of Lucas
Cranach the Younger for Elector August of Saxony, and that it was copied from an
earlier armorial of c.1500 which was kept in Cranach’s
workshop, probably as reference material. Much of the original content and
structure of this ‘old armorial’ has been preserved in Rylands
German 2. On this basis, the original armorial can be located in a late
fifteenth-century Upper German tradition of armorial manuscripts known as the
‘Bodensee’ group. It was also closely linked to the Habsburg
dynasty, and appears to have been dedicated to Empress Bianca Maria Sforza. The
armorial therefore opens significant new perspectives on the relationships
between artists and heraldry and between women and heraldic knowledge, and on
ways of visualising the Holy Roman Empire through heraldry.
德国MS 2是一个以前未经研究的军械库,可追溯到16世纪中期。这篇文章表明,它是在萨克森选帝侯奥古斯特的小卢卡斯·克拉纳赫的工作室制作的,它是从克拉纳赫工作室保存的大约1500年的早期军械库中复制的,可能是作为参考材料。这个“旧军械库”的大部分原始内容和结构都保存在《Rylands German 2》中。在此基础上,最初的军械库可以位于15世纪末的上德国传统军械库手稿“博登塞”组。它也与哈布斯堡王朝密切相关,似乎是献给女皇比安卡·玛丽亚·斯福尔扎的。因此,纹章为艺术家与纹章学之间、女性与纹章知识之间的关系以及通过纹章学可视化神圣罗马帝国的方式开辟了重要的新视角。