"We Just Value": Narration and Financial Valuation in Mohsin Hamid's The Reluctant Fundamentalist

IF 0.1 4区 文学 0 LITERATURE CONTEMPORARY LITERATURE Pub Date : 2023-07-01 DOI:10.3368/cl.63.1.51
J. Macintosh
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Abstract

© 2023 by the Board of Regents of the University of Wisconsin System akistani novelist Mohsin Hamid is no stranger to the elite pools from which US investment banks and management consulting firms draw their entrylevel analysts.1 After studying creative writing at Princeton under Toni Morrison and Joyce Carol Oates, Hamid earned a law degree at Harvard and joined McKinsey & Company, the leading consulting firm. Although Hamid “had his pick of investmentbanking job offers when he graduated in 1996. He picked McKinsey instead, attracted by the more creative atmosphere” (Thomas, Jr.). While working at the firm, Hamid published his wellreceived debut novel Moth Smoke (2000), which centers on a midlevel banker in Lahore caught in a downward spiral. However, it was Hamid’s second novel, The Reluctant Fundamentalist (2007) that catapulted him into global fame. An international commercial and critical success, the novel was shortlisted for the Man Booker Prize and adapted, somewhat unfaithfully, into a feature film.2 The novel is narrated by Changez, a Princetoneducated Pakistani valuation analyst who abandons his career in the US, returns to Lahore as a university lecturer in finance, and becomes an antiimperialist activist. The novel’s frame narration
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“我们只是看重”:哈米德《不情愿的原教旨主义者》中的叙事与金融估值
©2023威斯康星大学董事会作者:阿基斯坦小说家莫辛·哈米德对美国投资银行和管理咨询公司吸引入门级分析师的精英库并不陌生。1在托尼·莫里森和乔伊斯·卡罗尔·奥茨的指导下,哈米德在普林斯顿大学学习创意写作后,在哈佛大学获得了法律学位,并加入麦肯锡公司,领先的咨询公司。尽管哈米德“在1996年毕业时就有自己选择的投资银行工作机会。在麦肯锡工作期间,哈米德出版了他广受好评的处女作《蛾烟》(2000),该小说以拉合尔一位陷入恶性循环的中层银行家为中心。然而,正是哈米德的第二部小说《不情愿的原教旨主义者》(2007年)让他一举成名。这部小说在国际商业和评论界取得了成功,入围了布克奖,并有点不忠地被改编成了故事片。2这部小说由受过王子教育的巴基斯坦估价分析师Changez讲述,他放弃了在美国的职业生涯,回到拉合尔担任大学金融讲师,成为了一名反帝国主义活动家。小说的框架叙事
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来源期刊
CiteScore
0.20
自引率
0.00%
发文量
15
期刊介绍: Contemporary Literature publishes scholarly essays on contemporary writing in English, interviews with established and emerging authors, and reviews of recent critical books in the field. The journal welcomes articles on multiple genres, including poetry, the novel, drama, creative nonfiction, new media and digital literature, and graphic narrative. CL published the first articles on Thomas Pynchon and Susan Howe and the first interviews with Margaret Drabble and Don DeLillo; we also helped to introduce Kazuo Ishiguro, Eavan Boland, and J.M. Coetzee to American readers. As a forum for discussing issues animating the range of contemporary literary studies, CL features the full diversity of critical practices.
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