How does urban violence impact choices of cultural participation? The case of the Maré favela complex in Rio de Janeiro.

IF 1.9 2区 经济学 Q2 ECONOMICS Journal of Cultural Economics Pub Date : 2022-12-02 DOI:10.1007/s10824-022-09465-4
Luisa Iachan, François Moreau, Paul Heritage, Leandro Valiati, Eliana Sousa Silva
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Abstract

The impact of urban violence on society has been the subject of several studies, but the consequences of fear for habits of cultural consumption are missing in cultural economics research. This article investigates whether the fear of urban violence explains individuals' choice between different options of cultural participation with a particular focus on the activities of watching movies and listening to music. Based on individual data from a survey conducted in 2019 with 1211 residents from a conglomeration of sixteen favelas (slums) located in the Maré neighbourhood in Rio de Janeiro (Brazil), this study employs Simultaneous Bivariate Ordered Probit Models to verify the association between individuals' fear of violence and their choice of consuming culture in private or public spaces. Controlling for socioeconomic, demographic, and territorial variables, the findings indicate that consuming culture in private spaces is a substitute for public spaces when individuals are more afraid of violence. The results presented in this work provide evidence for the design and implementation of policies targeting territories impacted by high levels of violence.

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城市暴力如何影响文化参与的选择?巴西里约热内卢mar贫民窟建筑群的案例
城市暴力对社会的影响已成为多项研究的主题,但在文化经济学研究中却缺少对恐惧对文化消费习惯的影响的研究。本文研究了对城市暴力的恐惧是否可以解释个人在不同文化参与选项之间的选择,尤其关注观看电影和聆听音乐的活动。基于 2019 年对里约热内卢(巴西)马雷区 16 个贫民窟(贫民窟)1211 名居民进行调查所获得的个人数据,本研究采用同步双变量有序 Probit 模型来验证个人对暴力的恐惧与他们选择在私人或公共空间进行文化消费之间的关联。在对社会经济、人口和地域变量进行控制后,研究结果表明,当个人更害怕暴力时,在私人空间消费文化可以替代在公共空间消费文化。这项研究的结果为设计和实施针对受暴力影响严重的地区的政策提供了证据。
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来源期刊
CiteScore
5.20
自引率
18.50%
发文量
26
期刊介绍: Cultural economics is the application of economic analysis to all of the creative and performing arts, the heritage and cultural industries, whether publicly or privately owned. It is concerned with the economic organization of the cultural sector and with the behavior of producers, consumers and governments in that sector. The subject includes a range of approaches, mainstream and radical, neoclassical, welfare economics, public policy and institutional economics. The editors and editorial board of the Journal of Cultural Economics seek to attract the attention of the economics profession to this branch of economics, as well as those in related disciplines and arts practitioners with an interest in economic issues. The Journal of Cultural Economics publishes original papers that deal with the theoretical development of cultural economics as a subject, the application of economic analysis and econometrics to the field of culture, and with the economic aspects of cultural policy. Besides full-length papers, short papers and book reviews are also published.Officially cited as: J Cult Econ
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