Intervention in Mannerists wooden paintings representing Saint Sebastian and Saint Lucy, by Belchior de Matos, constituents of a diptych of the chapel of Geraldes, in Peniche

IF 0.4 0 HUMANITIES, MULTIDISCIPLINARY Conservar Patrimonio Pub Date : 2021-05-22 DOI:10.14568/CP2020051
Elisabete Ferreira, António João Cruz, C. Rego
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引用次数: 0

Abstract

The panels of Martyrdom of Saint Sebastian and Saint Lucy, executed after 1610 by the Portuguese mannerist painter Belchior de Matos for the main altarpiece of the chapel of Saint Sebastian and Saint Lucy of Geraldes, Peniche, were subject to an intervention of conservation and restoration which aimed, in the first place, to restore the dignity indispensable to their adoption by the community and to their return to a place of worship. The works had several damages, but the most serious were the structural problems that jeopardized their stability and compromised the aesthetic value of the paintings. Therefore, it was necessary to reassemble the boards using a synthetic adhesive (PVA) with sawdust and phenolic resin microspheres. The frames, with significant lack of wood, were reconstituted with wood in the joints and with a filler paste (Araldite SV427) over a bamboo dowels structure in the grooves where the supports are inserted.
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干预礼仪主义者代表圣塞巴斯蒂安和圣露西的木画,由贝尔基奥尔·德·马托斯创作,他是佩尼切杰拉尔德斯小教堂的一幅双联画的组成部分
1610年后,葡萄牙矫揉造作画家贝尔基奥尔·德·马托斯为佩尼切杰拉尔德斯的圣塞巴斯蒂安和圣露西小教堂的主祭坛画创作的圣塞bastian和圣露西殉道板受到了保护和修复的干预,恢复他们被社区收养和返回礼拜场所所不可或缺的尊严。这些作品有几处损坏,但最严重的是结构问题,这些问题危及它们的稳定性,损害了画作的美学价值。因此,有必要使用含有木屑和酚醛树脂微球的合成粘合剂(PVA)重新组装板材。在明显缺乏木材的情况下,框架在接缝处用木材重建,并在插入支架的凹槽中的竹榫结构上用填充膏(Araldite SV427)重建。
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来源期刊
Conservar Patrimonio
Conservar Patrimonio HUMANITIES, MULTIDISCIPLINARY-
CiteScore
0.80
自引率
0.00%
发文量
5
审稿时长
12 weeks
期刊介绍: Conservar Património is a journal, published three times a year, that intends to create a space for the diffusion of conservator-restorers’ studies and activities. However, at a time when Conservation-Restoration pretends to develop further through collaboration with other areas of knowledge, such as History of Art, Archaeology, Museum Studies, Chemistry, Physics, Biology and other related disciplines from the fields of the natural and social sciences, the journal also receives contributions from any other provenance as long as directed towards the multiple dimensions of the works that integrate our Cultural Heritage. Theoretical issues on the conservation activity may also be submitted.
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