Framing the pandemic: from information to outformation in the COVID-19 era

IF 1.5 Q1 CULTURAL STUDIES Journal for Cultural Research Pub Date : 2022-09-27 DOI:10.1080/14797585.2022.2128280
Johanna Vuorelma
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引用次数: 2

Abstract

ABSTRACT The COVID-19 pandemic has been the most mediatised health crisis in human history, involving a rapid circulation of knowledge in global networks and a continuous flow of spectacular images and narratives that have rendered the pandemic graspable in cultural, political, and moral terms. This article proposes that the intertwined nature of two opposite trends of knowledge production – scientific reasoning and affective storytelling – can be analytically approached through the concept of ‘outformation’ that provides explanatory power and conceptual clarity to make sense of the disorderly flows of knowledge in the pandemic-era. Using frame analysis, the article examines how one key term of the pandemic era, herd immunity, is taken from its scientific context and mobilised across different epistemic arenas from journalistic media to parliamentary debates as a vehicle for mistrust towards political and expert authorities in Finland that is a country characterised by high levels of trust towards authorities. The Finnish case is not only a national case about the framing of a specific term in times of epistemic instability but also provides a valuable lens to knowledge production during the pandemic era.
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构建大流行:COVID-19时代从信息到信息
摘要新冠肺炎大流行是人类历史上最具调解性的健康危机,涉及知识在全球网络中的快速传播,以及壮观的图像和叙事的持续流动,这些都使这场大流行在文化、政治和道德方面变得引人注目。这篇文章提出,可以通过“外格式化”的概念来分析知识生产的两种相反趋势——科学推理和情感故事——的交织性质,这种外格式化提供了解释力和概念清晰度,以理解疫情时代知识的无序流动。文章通过框架分析,探讨了疫情时代的一个关键术语群体免疫是如何从其科学背景中提取的,并在从新闻媒体到议会辩论的不同认识领域中被动员起来,作为对芬兰政治和专家当局不信任的工具。芬兰是一个对当局高度信任的国家。芬兰的案例不仅是一个关于在认识不稳定时期构建特定术语的国家案例,而且为疫情时期的知识生产提供了一个有价值的视角。
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来源期刊
Journal for Cultural Research
Journal for Cultural Research CULTURAL STUDIES-
CiteScore
1.40
自引率
0.00%
发文量
23
期刊介绍: JouJournal for Cultural Research is an international journal, based in Lancaster University"s Institute for Cultural Research. It is interested in essays concerned with the conjuncture between culture and the many domains and practices in relation to which it is usually defined, including, for example, media, politics, technology, economics, society, art and the sacred. Culture is no longer, if it ever was, singular. It denotes a shifting multiplicity of signifying practices and value systems that provide a potentially infinite resource of academic critique, investigation and ethnographic or market research into cultural difference, cultural autonomy, cultural emancipation and the cultural aspects of power.
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