FESPACO and critical discourse on African cinema

IF 0.2 0 FILM, RADIO, TELEVISION Journal of African Cinemas Pub Date : 2022-11-01 DOI:10.1386/jac_00060_1
B. Sawadogo
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引用次数: 1

Abstract

The Pan-African Film and Television Festival of Ouagadougou (FESPACO) celebrated its golden jubilee at its 26th edition in 2019. This marks a time for reflection and assessment of the future of the festival. The 50th anniversary also represents a key juncture for scholars and practitioners to rethink curatorial practice in Africa to enable film festivals to function also as a medium of production and dissemination of critical discourse on African screen media. FESPACO has a longstanding tradition of continually producing archives of knowledge about African cinema. The study of the relationships between FESPACO and critical discourse on African cinema offers a template for other festivals to follow, thus opening a new discursive space in the emerging field of film festival studies.
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FESPACO与非洲电影的批评话语
2019年,瓦加杜古泛非电影节(FESPACO)迎来了第26届金婚庆典。这标志着对节日未来的反思和评估。50周年纪念也是学者和从业者重新思考非洲策展实践的关键时刻,以使电影节也成为非洲银幕媒体制作和传播批判性话语的媒介。FESPACO有一个长期的传统,即不断地制作有关非洲电影的知识档案。对FESPACO与非洲电影评论话语之间关系的研究为其他电影节提供了一个效仿的模板,从而在电影节研究的新兴领域开辟了一个新的话语空间。
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来源期刊
Journal of African Cinemas
Journal of African Cinemas FILM, RADIO, TELEVISION-
CiteScore
0.40
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期刊介绍: The Journal of African Cinemas will explore the interactions of visual and verbal narratives in African film. It recognizes the shifting paradigms that have defined and continue to define African cinemas. Identity and perception are interrogated in relation to their positions within diverse African film languages. The editors are seeking papers that expound on the identity or identities of Africa and its peoples represented in film. The aim is to create a forum for debate that will promote inter-disciplinarity between cinema and other visual and rhetorical forms of representation.
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