{"title":"Exclusion, empathy, and Islam: The Runaways in the literary marketplace","authors":"Sauleha Kamal","doi":"10.1080/17449855.2023.2209906","DOIUrl":null,"url":null,"abstract":"ABSTRACT With the location of the global literary marketplace in western centres, post-9/11 interest in anglophone Pakistani literature comes with the fetishization of minoritized identities. Fatima Bhutto’s The Runaways combats Islamophobic arguments about the Islamic origins of radicalization, showing that it emerges out of exclusion stemming from material facts of race, class, and gender. However, the novel's place in the literary marketplace complicates Bhutto's efforts to elicit empathy from readers. This article argues that although The Runaways is ideologically opposed to Eurocentric cosmopolitan liberalism, it occasionally falters in its representation of Pakistan and Islamic practices. The novel’s empathy is invested in universalism, suggesting a blind spot which is attributable to the global literary marketplace’s anticipation of a secular cosmopolitan “elite” readership. Through analysis of Bhutto’s novel, this article explores the possibility of productive empathy, and interrogates the ethics of reading and writing the other.","PeriodicalId":44946,"journal":{"name":"Journal of Postcolonial Writing","volume":"59 1","pages":"300 - 314"},"PeriodicalIF":0.2000,"publicationDate":"2023-05-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Journal of Postcolonial Writing","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/17449855.2023.2209906","RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"LITERATURE","Score":null,"Total":0}
引用次数: 0
Abstract
ABSTRACT With the location of the global literary marketplace in western centres, post-9/11 interest in anglophone Pakistani literature comes with the fetishization of minoritized identities. Fatima Bhutto’s The Runaways combats Islamophobic arguments about the Islamic origins of radicalization, showing that it emerges out of exclusion stemming from material facts of race, class, and gender. However, the novel's place in the literary marketplace complicates Bhutto's efforts to elicit empathy from readers. This article argues that although The Runaways is ideologically opposed to Eurocentric cosmopolitan liberalism, it occasionally falters in its representation of Pakistan and Islamic practices. The novel’s empathy is invested in universalism, suggesting a blind spot which is attributable to the global literary marketplace’s anticipation of a secular cosmopolitan “elite” readership. Through analysis of Bhutto’s novel, this article explores the possibility of productive empathy, and interrogates the ethics of reading and writing the other.
期刊介绍:
The Journal of Postcolonial Writing is an academic journal devoted to the study of literary and cultural texts produced in various postcolonial locations around the world. It explores the interface between postcolonial writing, postcolonial and related critical theories, and the economic, political and cultural forces that shape contemporary global developments. In addition to criticism focused on literary fiction, drama and poetry, we publish theoretically-informed articles on a variety of genres and media, including film, performance and other cultural practices, which address issues of relevance to postcolonial studies. In particular we seek to promote diasporic voices, as well as creative and critical texts from various national or global margins.