The Masks We Wear: Watchmen, Infrastructural Racism, and Anonymity

IF 2.4 2区 文学 Q1 COMMUNICATION Television & New Media Pub Date : 2022-06-30 DOI:10.1177/15274764221104995
Benjamin Burroughs, Benjamin J. Morse, Travis Snow, Michael Carmona
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引用次数: 1

Abstract

As COVID-19 has led to the politicization of masks and the donning of masks, the prescient commentary that emerges from HBO’s Watchmen speaks to our contemporary moment, replete with animosity, distrust, and wounding. Race, the legacy of racial injustice, and anonymity are major themes found throughout the series, which highlight the complicated nature of social control and the infrastructural legacy of racism. The mask itself is a site of struggle with polarizing calls for freedom from the mask as tyranny and freedom through the mask as safety, all during a public health crisis. In Watchmen, the deployment of infrastructural control and the implications of masking and unmasking are enacted through racist ideologies and promises of safety through anonymity.
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我们戴的面具:守望者、基础设施种族主义和匿名性
随着COVID-19导致口罩和戴口罩的政治化,HBO的《守望者》中出现的有先见之明的评论讲述了我们当代的时刻,充满了敌意、不信任和伤害。种族、种族不公正的遗留问题和匿名性是贯穿整个系列的主要主题,突出了社会控制的复杂性和种族主义的基础设施遗留问题。口罩本身就是一个斗争的场所,在公共卫生危机期间,人们提出了两种截然不同的要求,一种是摆脱口罩的暴政,另一种是通过口罩获得自由,这是一种安全。在《守望者》中,基础设施控制的部署以及面具和揭面具的含义是通过种族主义意识形态和匿名的安全承诺来实现的。
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来源期刊
CiteScore
5.60
自引率
5.00%
发文量
49
期刊介绍: Television & New Media explores the field of television studies, focusing on audience ethnography, public policy, political economy, cultural history, and textual analysis. Special topics covered include digitalization, active audiences, cable and satellite issues, pedagogy, interdisciplinary matters, and globalization, as well as race, gender, and class issues.
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