Drum rhythm spaces: From polyphonic similarity to generative maps

IF 1.1 4区 计算机科学 Q4 COMPUTER SCIENCE, INTERDISCIPLINARY APPLICATIONS Journal of New Music Research Pub Date : 2020-08-24 DOI:10.1080/09298215.2020.1806887
Daniel Gómez-Marín, S. Jordà, P. Herrera
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Abstract

This paper reports on the design and evaluation of drum rhythm spaces as interactive bi-dimensional maps used for the visualisation, retrieval and generation of drum patterns. We carry out two experiments exploring human processing of polyphonic drum patterns concluding with a list of descriptors that significantly influence similarity sensations. These features are used to build spaces based on drum pattern collections, where patterns are organised by similarity, modelled according to human perception. A drum-interpolation algorithm is introduced (and evaluated) to enhance rhythm space functionality by means of patterns that bound it, converting a discrete space to a continuous generative one.
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鼓节奏空间:从复调相似到生成图
本文报告了鼓节奏空间作为交互式二维地图的设计和评估,用于鼓模式的可视化、检索和生成。我们进行了两个实验,探索人类对复调鼓模式的处理,最后列出了一系列对相似感觉有显著影响的描述符。这些特征被用来建立基于鼓图案集合的空间,在鼓图案集合中,图案通过相似性进行组织,并根据人类感知进行建模。引入(并评估)了一种鼓插值算法,通过将离散空间转换为连续生成空间的模式来增强节奏空间的功能。
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来源期刊
Journal of New Music Research
Journal of New Music Research 工程技术-计算机:跨学科应用
CiteScore
3.20
自引率
0.00%
发文量
5
审稿时长
>12 weeks
期刊介绍: The Journal of New Music Research (JNMR) publishes material which increases our understanding of music and musical processes by systematic, scientific and technological means. Research published in the journal is innovative, empirically grounded and often, but not exclusively, uses quantitative methods. Articles are both musically relevant and scientifically rigorous, giving full technical details. No bounds are placed on the music or musical behaviours at issue: popular music, music of diverse cultures and the canon of western classical music are all within the Journal’s scope. Articles deal with theory, analysis, composition, performance, uses of music, instruments and other music technologies. The Journal was founded in 1972 with the original title Interface to reflect its interdisciplinary nature, drawing on musicology (including music theory), computer science, psychology, acoustics, philosophy, and other disciplines.
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