{"title":"Force and Image: The Story of the Paintings of Clifford Rollins","authors":"Russell C. Huff","doi":"10.1080/00332925.2022.2157142","DOIUrl":null,"url":null,"abstract":"This article considers images derived from the collective unconscious. It tells the story of a lifetime’s journey, which brought Russell B. Huff, an art teacher, into contact with Clifford Rollins, a man who had been institutionalized since childhood. Initially, it was the dynamic power of Clifford’s work that interested Huff, but over time he began to suspect the symbolism in Clifford’s paintings pointed to something much deeper. Photographs of some of the paintings were sent to Edward Edinger, who confirmed the collective unconscious as the source of this striking imagery. Following this contact, Huff began an extended period of study and reflection in his efforts to better understand Clifford’s work. He also organized public showings of the paintings, which Clifford attended. Their story is conveyed by Mr. Huff’s oldest son, Russell C. Huff, who relied on material contained in his father’s notebooks to tell their story.","PeriodicalId":42460,"journal":{"name":"Psychological Perspectives-A Quarterly Journal of Jungian Thought","volume":"65 1","pages":"467 - 492"},"PeriodicalIF":0.1000,"publicationDate":"2022-10-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Psychological Perspectives-A Quarterly Journal of Jungian Thought","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/00332925.2022.2157142","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q4","JCRName":"PSYCHOLOGY, PSYCHOANALYSIS","Score":null,"Total":0}
引用次数: 0
Abstract
This article considers images derived from the collective unconscious. It tells the story of a lifetime’s journey, which brought Russell B. Huff, an art teacher, into contact with Clifford Rollins, a man who had been institutionalized since childhood. Initially, it was the dynamic power of Clifford’s work that interested Huff, but over time he began to suspect the symbolism in Clifford’s paintings pointed to something much deeper. Photographs of some of the paintings were sent to Edward Edinger, who confirmed the collective unconscious as the source of this striking imagery. Following this contact, Huff began an extended period of study and reflection in his efforts to better understand Clifford’s work. He also organized public showings of the paintings, which Clifford attended. Their story is conveyed by Mr. Huff’s oldest son, Russell C. Huff, who relied on material contained in his father’s notebooks to tell their story.
这篇文章考虑了来自集体无意识的图像。它讲述了艺术老师罗素·b·赫夫(Russell B. Huff)与克利福德·罗林斯(Clifford Rollins)的一生之旅,后者从小就被收容在精神病院。最初,是克利福德作品的动态力量引起了赫夫的兴趣,但随着时间的推移,他开始怀疑克利福德画作中的象征主义指向了更深层次的东西。其中一些画作的照片被寄给了爱德华·艾丁格,他证实了集体无意识是这些惊人图像的来源。在这次接触之后,赫夫开始了一段时间的研究和反思,努力更好地理解克利福德的作品。他还组织了画展,克利福德也参加了。他们的故事是由赫夫的大儿子拉塞尔·c·赫夫(Russell C. Huff)讲述的,他依靠父亲笔记本上的材料讲述了他们的故事。