Aproximaciones y tendencias de la Danza teatro: una mirada holística

Abstract

This review article elaborates a current state of Dance theatre in the last decade. It is part of a holistic research on the relevance of the curriculum deepening in Dance Theatre, of the Dance Art curriculum project, at the Universidad Distrital Francisco José de Caldas in Bogotá. The research included graduate work, thesis, indexed journals , books and institutional documentation. A documentary analysis was carried out, from an analyticalinterpretive matrix in which Kurt Joss, Pina Bausch, Isadora Duncan, Ruth Saint Denis, Rudolf Laban, Constanin Stanislavsky, Jerzy Grotowsky, Antonin Artaud, Eugenio Barba, Patricia Cardona and Juliana Reyes are some of the references cited in a selection of 55 records of more than 200 reviewed. The article has four main parts: the own, the local, Latin America and the global sphere, overcoming disciplinary gender distinctions and installing a discussion on theatricality as a transversal agent to the arts. It concludes with the hybrid character of the genre and the need to continue investigating the relationship between dance and theatre.