{"title":"Thresholds Revisited: The Problem of the Angels and the Way of the Night","authors":"H. Sarkis, Mohamad Nahleh","doi":"10.1162/thld_a_00768","DOIUrl":null,"url":null,"abstract":"Thresholds first got its start as a department-wide zine packed with op-eds and student work. In a nod to that history and to the journal’s earliest issue and theme, architectural representation, Hashim Sarkis’ “The Problem of the Angels” is republished alongside a reflection by one of MIT Architecture’s 2021 Teaching Fellows, Mohamad Nahleh. A major proponent of counter-representation and the subversion of conventional modes of production, Nahleh o#ers a short history of our relationship to darkness to emphasize the necessity of developing and supporting the design of new worldviews. Student work sourced from MIT Architecture’s Core I Studio supplement these two texts with drawings that challenge how we think about and represent architecture today. HASHIM SARKIS IN CONVERSATION WITH MOHAMAD NAHLEH","PeriodicalId":40067,"journal":{"name":"Thresholds","volume":"1 1","pages":"171-176"},"PeriodicalIF":0.1000,"publicationDate":"2022-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Thresholds","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1162/thld_a_00768","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"ARCHITECTURE","Score":null,"Total":0}
引用次数: 0
Abstract
Thresholds first got its start as a department-wide zine packed with op-eds and student work. In a nod to that history and to the journal’s earliest issue and theme, architectural representation, Hashim Sarkis’ “The Problem of the Angels” is republished alongside a reflection by one of MIT Architecture’s 2021 Teaching Fellows, Mohamad Nahleh. A major proponent of counter-representation and the subversion of conventional modes of production, Nahleh o#ers a short history of our relationship to darkness to emphasize the necessity of developing and supporting the design of new worldviews. Student work sourced from MIT Architecture’s Core I Studio supplement these two texts with drawings that challenge how we think about and represent architecture today. HASHIM SARKIS IN CONVERSATION WITH MOHAMAD NAHLEH