Transmedia Sai-lou: The evolution of Hong Kong’s core values through comics, film and street protests

IF 0.3 0 FILM, RADIO, TELEVISION Asian Cinema Pub Date : 2020-10-01 DOI:10.1386/ac_00023_1
W. Wong
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Abstract

In this article, I investigate the evolution of the core values of the Hong Kong people through the term Sai-lou 細路, by means of storytelling in a transmedia context and with a focus on different historical stages, from approximately the end of the Second World War to the 2014 Umbrella Movement. Using the late 1930s four-panel comic strip, Sai-lou Cheung 細路祥 (Kiddy Cheung) created by Yuan Bou-wan 袁步雲 (1922–95) as the origin work for the term, this study examines the core values reflected in the 1950s film Sai-lou Cheung細路祥 (The Kid or My Son A-Chang) starring 9-year-old Bruce Lee, the 1999 film Sai-lou Cheung 細路祥 (Little Cheung) directed by Fruit Chan as well as news reports of the 2014 sit-in street protests whose student leaders the public regarded as Sai-lou 細路 (‘kids’).
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跨媒体赛楼:透过漫画、电影和街头抗议,香港核心价值观的演变
在这篇文章中,我通过跨媒体背景下的叙事方式,聚焦于不同的历史阶段,从大约第二次世界大战结束到2014年的雨伞运动,通过“赛楼”这个词来研究香港人核心价值观的演变。使用1930年代末四格漫画,Sai-lou张細路祥(小孩张)由元Bou-wan袁步雲(1922 - 95)作为这个词起源的工作,本研究探讨了核心价值观反映在1950年代电影Sai-lou张細路祥(孩子或我儿子一)9岁的李小龙主演的1999年的电影《Sai-lou张細路祥(张)由陈水果以及新闻报道2014年静坐的街头抗议的学生领袖公众视为Sai-lou細路(“孩子”)。
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来源期刊
Asian Cinema
Asian Cinema FILM, RADIO, TELEVISION-
CiteScore
0.60
自引率
0.00%
发文量
6
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