The Idea of Edification in Jiao Xun’s Conception of Drama

Tan Fei
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Abstract

 Jiao Xun’s drama edification concept emphasizes “morality” and “emotion” at the same time, which expresses his tendency for drama conception to move closer to classics. Jiao Xun thinks that drama creation values the audience’s acceptance, which also makes drama an effective testing ground for re-processing the relationship between “morality” and “emotion” in Confucianism; and Jiao Xun respects folk daily life in popular literary forms to promote moral enlightenment, which shows that drama research has become one of his practical methods of “changing customs”.
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焦勋戏剧观念中的陶冶思想
焦勋的戏剧教化观同时强调“道德”和“情感”,表现了他戏剧观念向经典靠拢的倾向。焦勋认为戏剧创作重视观众的接受度,这也使戏剧成为重新加工儒家“德”与“情”关系的有效试验场;焦训以通俗文学形式尊重民间日常生活,促进道德启蒙,这表明戏剧研究已成为他“变俗”的实践方法之一。
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