{"title":"Book Review: Between Habit and Thought in the New Serial Drama","authors":"A. Mascio","doi":"10.1177/17496020231177839","DOIUrl":null,"url":null,"abstract":"in China and the West should learn from each other. Documentaries and China’s National Image makes us realise that, although the communication strategies of the national image in Chinese documentaries have undergone various changes over time, the national agenda has always constrained the creation of documentaries within its own framework. The book is rich in case studies within a certain theoretical framework, and this is the first time the book has been translated into English, which opens a window for international readers to understand Chinese documentary creation.","PeriodicalId":51917,"journal":{"name":"Critical Studies in Television","volume":null,"pages":null},"PeriodicalIF":0.9000,"publicationDate":"2023-06-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Critical Studies in Television","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1177/17496020231177839","RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"FILM, RADIO, TELEVISION","Score":null,"Total":0}
引用次数: 1
Abstract
in China and the West should learn from each other. Documentaries and China’s National Image makes us realise that, although the communication strategies of the national image in Chinese documentaries have undergone various changes over time, the national agenda has always constrained the creation of documentaries within its own framework. The book is rich in case studies within a certain theoretical framework, and this is the first time the book has been translated into English, which opens a window for international readers to understand Chinese documentary creation.
期刊介绍：
Critical Studies in Television publishes articles that draw together divergent disciplines and different ways of thinking, to promote and advance television as a distinct academic discipline. It welcomes contributions on any aspect of television—production studies and institutional histories, audience and reception studies, theoretical approaches, conceptual paradigms and pedagogical questions. It continues to invite analyses of the compositional principles and aesthetics of texts, as well as contextual matters relating to both contemporary and past productions. CST also features book reviews, dossiers and debates. The journal is scholarly but accessible, dedicated to generating new knowledge and fostering a dynamic intellectual platform for television studies.
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