A Note on the New Cover

IF 0.2 0 HUMANITIES, MULTIDISCIPLINARY Italian Culture Pub Date : 2021-07-03 DOI:10.1080/01614622.2021.2017125
Lorenzo Fabbri, Ramsey Mcglazer
{"title":"A Note on the New Cover","authors":"Lorenzo Fabbri, Ramsey Mcglazer","doi":"10.1080/01614622.2021.2017125","DOIUrl":null,"url":null,"abstract":"The new cover of Italian Culture was designed by Arianna Lodeserto and Lilia Angela Cavallo and features a photograph by Marley Nichelle, a Charlottesville-based photojournalist whose statement on the image appears above. The photograph shows the statue of Columbus that stood in Richmond’s Byrd Park until its toppling on June 9, 2020. The uprisings prompted by the murder of George Floyd on May 25 were ongoing when, on June 9, “about a thousand protestors gathered,” according to the Richmond Times-Dispatch, “to stand in solidarity with indigenous peoples.” In this context, “Protestors used ropes to pull down the approximately 8-foot statue, then moved it some 200 yards across the road ... and submerged it in Fountain Lake. According to a social media post, the statue was briefly set on fire.” But there was more than one post, as Nichelle notes when he refers to “Columbus Discovers Lake.” This headline or joking caption conveys some of the collective energy and exuberance of that moment of protest, which the journal’s new cover image records. “Columbus Discovers Lake” reminds us, in other words, that, for all their seriousness, the uprisings were also scenes of courageous reinvention. They were occasions for mourning but also for the demonstration and the celebration of “powers and solidarity.” We thank Marley for the photograph and Arianna and Lilia for their work designing the new cover. We hope that this cover, replacing the monumental and still-standing columns shown in journal’s former cover image, will serve as a reminder of the difference that collective “powers and solidarity” can make. But we also see the image as a welcome challenge to the field, as a question addressed to the study of Italian history, literature, and art. An ocean away from his native Genoa, Columbus finds himself in a different port, subject to a different fate, not enshrined but overthrown. And given the his abiding association with “Italian culture” in the United States, a certain familiar version, a received understanding, of this culture is overthrown with him. Before its fall, statue of Columbus in Richmond stood on","PeriodicalId":41506,"journal":{"name":"Italian Culture","volume":"39 1","pages":"113 - 114"},"PeriodicalIF":0.2000,"publicationDate":"2021-07-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Italian Culture","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/01614622.2021.2017125","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"HUMANITIES, MULTIDISCIPLINARY","Score":null,"Total":0}
引用次数: 0

Abstract

The new cover of Italian Culture was designed by Arianna Lodeserto and Lilia Angela Cavallo and features a photograph by Marley Nichelle, a Charlottesville-based photojournalist whose statement on the image appears above. The photograph shows the statue of Columbus that stood in Richmond’s Byrd Park until its toppling on June 9, 2020. The uprisings prompted by the murder of George Floyd on May 25 were ongoing when, on June 9, “about a thousand protestors gathered,” according to the Richmond Times-Dispatch, “to stand in solidarity with indigenous peoples.” In this context, “Protestors used ropes to pull down the approximately 8-foot statue, then moved it some 200 yards across the road ... and submerged it in Fountain Lake. According to a social media post, the statue was briefly set on fire.” But there was more than one post, as Nichelle notes when he refers to “Columbus Discovers Lake.” This headline or joking caption conveys some of the collective energy and exuberance of that moment of protest, which the journal’s new cover image records. “Columbus Discovers Lake” reminds us, in other words, that, for all their seriousness, the uprisings were also scenes of courageous reinvention. They were occasions for mourning but also for the demonstration and the celebration of “powers and solidarity.” We thank Marley for the photograph and Arianna and Lilia for their work designing the new cover. We hope that this cover, replacing the monumental and still-standing columns shown in journal’s former cover image, will serve as a reminder of the difference that collective “powers and solidarity” can make. But we also see the image as a welcome challenge to the field, as a question addressed to the study of Italian history, literature, and art. An ocean away from his native Genoa, Columbus finds himself in a different port, subject to a different fate, not enshrined but overthrown. And given the his abiding association with “Italian culture” in the United States, a certain familiar version, a received understanding, of this culture is overthrown with him. Before its fall, statue of Columbus in Richmond stood on
查看原文
分享 分享
微信好友 朋友圈 QQ好友 复制链接
本刊更多论文
关于新封面的一点注记
《意大利文化》的新封面由Arianna Lodeserto和Lilia Angela Cavallo设计,并配有夏洛茨维尔摄影记者Marley Nichelle的一张照片,照片上的声明如上图所示。这张照片显示了哥伦布雕像,它一直矗立在里士满的伯德公园,直到2020年6月9日被推倒。5月25日乔治·弗洛伊德谋杀案引发的起义仍在继续,据《里士满时报快讯》报道,6月9日,“大约1000名抗议者聚集在一起,声援土著人民。”在这种情况下,“抗议者用绳子把大约8英尺高的雕像推倒,然后把它移到马路对面约200码处……然后把它淹没在喷泉湖。根据社交媒体上的一条帖子,雕像被短暂地点燃了。”但正如Nichelle在提到“哥伦布发现湖”时所指出的那样,不止一条帖子。“这个标题或开玩笑的标题传达了抗议时刻的一些集体能量和活力,这是该杂志的新封面图像记录的。换句话说,《哥伦布发现湖》提醒我们,尽管起义很严重,但它们也是勇敢重塑的场景。这是哀悼的场合,也是示威和庆祝“权力与团结”的场合。我们感谢Marley的照片,以及Arianna和Lilia为设计新封面所做的工作。我们希望,这本封面取代了《华尔街日报》前封面图片中不朽的专栏,将提醒人们集体“权力和团结”可以带来的不同。但我们也认为,这张照片是对该领域的一个受欢迎的挑战,是对意大利历史、文学和艺术研究的一个问题。在远离家乡热那亚的海洋中,哥伦布发现自己身处一个不同的港口,遭受着不同的命运,不是神圣的,而是被推翻的。鉴于他与美国“意大利文化”的长期联系,对这种文化的某种熟悉的版本,一种公认的理解,与他一起被推翻了。在它倒下之前,里士满的哥伦布雕像矗立在
本文章由计算机程序翻译,如有差异,请以英文原文为准。
求助全文
约1分钟内获得全文 去求助
来源期刊
Italian Culture
Italian Culture HUMANITIES, MULTIDISCIPLINARY-
CiteScore
0.30
自引率
0.00%
发文量
21
期刊最新文献
Women and Migration in Contemporary Italian Cinema: Screening Hospitality La misura dell’inatteso: Ebraismo e cultura italiana (1815–1988) The Collected Poems A regola d’arte. Storia e geografia del campo letterario italiano (1902–1936) A Sudden Frenzy: Improvisation, Orality, and Power in Renaissance Italy
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
×
提示
您的信息不完整,为了账户安全,请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
现在去查看 取消
×
提示
确定
0
微信
客服QQ
Book学术公众号 扫码关注我们
反馈
×
意见反馈
请填写您的意见或建议
请填写您的手机或邮箱
已复制链接
已复制链接
快去分享给好友吧!
我知道了
×
扫码分享
扫码分享
Book学术官方微信
Book学术文献互助
Book学术文献互助群
群 号:481959085
Book学术
文献互助 智能选刊 最新文献 互助须知 联系我们:info@booksci.cn
Book学术提供免费学术资源搜索服务,方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。
Copyright © 2023 Book学术 All rights reserved.
ghs 京公网安备 11010802042870号 京ICP备2023020795号-1