Daughters of Mnemosyne: Architecture, Distributed Cognition, and the Helleno-Roman Theater

IF 0.2 3区 历史学 0 CLASSICS ARETHUSA Pub Date : 2021-08-18 DOI:10.1353/are.2021.0001
Rabun M. Taylor
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引用次数: 0

Abstract

Abstract:The Hellenistic theater and its Italian republican cognates were active participants in the dramatic experience. Audiences relied on the architecture of the stage in particular not only to set the scene of the action but to function as an apparatus of simple cognitive cues that either facilitated the audience’s retention and recovery of memory during performances or activated related mental processes. Both principal aspects of the scenery participated in this phenomenon: the changing painted background scenes served as visual cues to reinforce the action and setting; and the doorways and other entrances functioned as mnemonic “bookmarks” to organize cognitive processes during performances.
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Mnemosyne的女儿们:建筑、分布式认知和希腊罗马剧院
摘要:希腊化戏剧及其意大利共和国同源戏剧是戏剧体验的积极参与者。观众尤其依赖舞台的结构,不仅可以设置动作的场景,还可以充当简单认知线索的装置,促进观众在表演过程中保持和恢复记忆,或激活相关的心理过程。风景的两个主要方面都参与了这一现象:不断变化的绘画背景场景作为视觉线索,强化了动作和场景;门口和其他入口充当助记“书签”,组织表演过程中的认知过程。
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来源期刊
ARETHUSA
ARETHUSA CLASSICS-
CiteScore
0.30
自引率
0.00%
发文量
4
期刊介绍: Arethusa is known for publishing original literary and cultural studies of the ancient world and of the field of classics that combine contemporary theoretical perspectives with more traditional approaches to literary and material evidence. Interdisciplinary in nature, this distinguished journal often features special thematic issues.
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