{"title":"Struggling for breath","authors":"A. Damlé","doi":"10.3828/franc.2021.11","DOIUrl":null,"url":null,"abstract":"\nAnanda Devi’s Les Jours vivants (2013) is hauntingly prescient in tracing, against the backdrop of a city propelled ever forwards by cycles of production and consumption, striking contemporary connections between social division, isolation, and racialized violence. At the time of writing this article, the news has been dominated by the Covid-19 pandemic and by global responses to acts of racialized brutality during the summer of 2020. Reading Les Jours vivants with the specificities of urgent global issues in mind, this article draws attention to a sensory trope at the heart of contemporary experience: the life and the suffocation of breath. In the article, I follow the flow of air and breath through the city, between bodies, and on the borderlines of life and death in Les Jours vivants, as a means of disclosing the unequal power relations inherent in the struggle for breath as a defining feature of our living days.","PeriodicalId":53133,"journal":{"name":"Francospheres","volume":" ","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2021-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Francospheres","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.3828/franc.2021.11","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
Abstract
Ananda Devi’s Les Jours vivants (2013) is hauntingly prescient in tracing, against the backdrop of a city propelled ever forwards by cycles of production and consumption, striking contemporary connections between social division, isolation, and racialized violence. At the time of writing this article, the news has been dominated by the Covid-19 pandemic and by global responses to acts of racialized brutality during the summer of 2020. Reading Les Jours vivants with the specificities of urgent global issues in mind, this article draws attention to a sensory trope at the heart of contemporary experience: the life and the suffocation of breath. In the article, I follow the flow of air and breath through the city, between bodies, and on the borderlines of life and death in Les Jours vivants, as a means of disclosing the unequal power relations inherent in the struggle for breath as a defining feature of our living days.
阿南达·德维(Ananda Devi)的《活着的人》(Les Jours vivants)(2013)在追踪一个由生产和消费周期推动的城市的背景下,有着令人难忘的先见之明,在社会分裂、孤立和种族化暴力之间建立了当代联系。在撰写本文时,新冠肺炎疫情以及全球对2020年夏天种族化暴行的反应一直是新闻的主导。这篇文章在阅读《旅行家》时考虑到了紧迫的全球问题的特殊性,引起了人们对当代体验核心的一个感官比喻的关注:生活和呼吸的窒息。在这篇文章中,我观察了空气和呼吸在城市中的流动,在身体之间的流动,以及在《儒者》中的生与死的边界线上的流动,以此揭示呼吸斗争中固有的不平等权力关系,这是我们生活的一个决定性特征。