Circus shows in nineteenth-century Poland as pseudo-Olympics

IF 0.5 Q4 HOSPITALITY, LEISURE, SPORT & TOURISM Sport in History Pub Date : 2022-03-25 DOI:10.1080/17460263.2022.2056232
Arkadiusz Włodarczyk, Mateusz Rozmiarek
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引用次数: 2

Abstract

ABSTRACT The so-called pseudo-Olympics include all kinds of events organised before 1896 that referred in varying degrees to the traditions of the ancient Olympic Games. Sports historians who have studied the subject of pseudo-Olympics focus mainly on the sports games and cultural festivals initiated in the seventeenth century, which, in terms of their organisation, programme and nomenclature, imitated the games held in ancient Olympia. At the same time they often ignore various circus performances, many of which used Olympic themes and can also be classified as pseudo-Olympics. The forerunner of such performances in Europe was the English circus, which became a pattern to follow for French and German circuses. The latter had the greatest impact on the development of circus art in nineteenth-century Polish territories. Staged circus productions were examples of performance forms that popularised the Olympic tradition in a more or less conscious manner.
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19世纪波兰的马戏团表演是伪奥运
摘要所谓“伪奥运”,是指1896年以前组织的各种活动,这些活动在不同程度上借鉴了古代奥林匹克运动会的传统。研究伪奥运主题的体育历史学家主要关注17世纪开始的体育运动会和文化节,这些运动会和节日在组织、计划和命名方面模仿了古代奥林匹亚举行的奥运会。同时,他们经常忽视各种马戏团的表演,其中许多表演使用了奥运主题,也可以被归类为伪奥运。这种表演在欧洲的先驱是英国马戏团,这成为法国和德国马戏团效仿的模式。后者对19世纪波兰领土上马戏团艺术的发展影响最大。舞台马戏表演是以或多或少有意识的方式普及奥林匹克传统的表演形式的例子。
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来源期刊
Sport in History
Sport in History HOSPITALITY, LEISURE, SPORT & TOURISM-
CiteScore
0.90
自引率
37.50%
发文量
29
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