Undocumented objects: The collection Cavalcanti at Museum Volkenkunde, Leiden

IF 0.1 Q3 HISTORY Museum History Journal Pub Date : 2019-01-02 DOI:10.1080/19369816.2019.1613625
Rita Santos
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引用次数: 3

Abstract

ABSTRACT The Marquesa de Cavalcanti Collection kept at the Volkenkunde Museum, in Leiden, the Netherlands, is one of the oldest records of the existence of Brazilian objects in this museum. It is part of a broader collection created for the Brazilian Anthropological Exhibition, held in 1882, and for the Universal Exhibition in Paris, held in 1889. The main focus of this article is on the itineraries of this collection from its first exhibitions in Brazil and Paris to the Volkenkunde collection in Leiden. Despite the challenge posed by lack of documentation to understand the ‘social life’ of objects, we believe that the investigation of the itineraries of collections and the analysis of different social relations inscribed in objects may provide a key to understanding the history of ethnographic and archaeological collections. This article analyses how collections connected colonial regions to metropolitan areas in the second half of the nineteenth century, in the particular case of Brazil, Paris, and the Netherlands. It further discusses the role of women in the production of archaeological and ethnographic collections and, consequently, their place in the production of anthropological and archaeological knowledge.
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未记录的物品:莱顿Volkenkunde博物馆的卡瓦尔康蒂收藏品
摘要荷兰莱顿沃尔肯昆德博物馆收藏的卡瓦尔康蒂侯爵藏品是该博物馆现存巴西文物最古老的记录之一。它是为1882年举行的巴西人类学展览和1889年在巴黎举行的世界展览而创作的更广泛藏品的一部分。本文的主要关注点是这批藏品从在巴西和巴黎的首次展览到在莱顿的Volkenkunde藏品的行程。尽管缺乏了解文物“社会生活”的文献资料带来了挑战,但我们相信,对藏品行程的调查和对文物中不同社会关系的分析可能是了解民族志和考古藏品历史的关键。本文分析了19世纪下半叶,以巴西、巴黎和荷兰为例,藏品是如何将殖民地地区与大都市地区联系起来的。它进一步讨论了妇女在考古和民族志收藏制作中的作用,以及她们在人类学和考古知识制作中的地位。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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CiteScore
0.50
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0.00%
发文量
8
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