Where the Centaur Walks: Psalms and the Poetic Imagination

IF 0.2 3区 哲学 0 RELIGION Irish Theological Quarterly Pub Date : 2023-06-15 DOI:10.1177/00211400231179386
Ethan C. Jones
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Abstract

The ‘redress of poetry as poetry,’ means, according to the Irish poet and Noble Prize winner Seamus Heaney, an awareness of ‘an eminence established and a pressure exercised by distinctly linguistic means.’ Poetry, he asserts, ‘is the imagination pressing back against the pressure of reality.’ The imagination of Psalms poetry needs to be rediscovered. This has begun with the monumental book by Dobbs-Allsopp (2015). Yet, more work is needed. This article explores how the Psalter, being poetry, makes claims to and on the imagination, reality, and the confluence thereof. It is an attempt to see how the redress of Psalms poetry might refine our reading of the biblical book. Psalm 98 serves as key illustration.
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半人马行走的地方:诗篇与诗意的想象
爱尔兰诗人、诺贝尔文学奖得主谢默斯·希尼认为,“将诗歌视为诗歌”意味着对“通过独特的语言手段建立的卓越地位和施加的压力”的认识他断言,诗歌“是对现实压力的反抗。”诗篇的想象力需要重新发掘。这始于多布斯·奥尔索普(2015)的不朽著作。然而,还需要做更多的工作。这篇文章探讨了作为诗歌的诗篇是如何对想象、现实及其融合提出主张和主张的。这是一次尝试,看看对诗篇的纠正如何完善我们对圣经的阅读。《诗篇》第98篇是一个重要的例证。
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来源期刊
CiteScore
0.50
自引率
33.30%
发文量
44
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