The Sounds of Rebellion: A Radionovela by and for Migrant Domestic Workers

IF 0.2 3区 艺术学 N/A THEATER CANADIAN THEATRE REVIEW Pub Date : 2022-08-01 DOI:10.3138/ctr.191.009
M. Célleri
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Abstract

Abstract:When the world went into lockdown in March 2020, the COVID-19 pandemic sensitized people to how power dynamics and access to capital play a role in how we access housing and experience being at home. This article focuses on the creative ways that migrant domestic workers are negotiating their relationships with the houses in which they live and work in the context of economic, social, and physical vulnerability and deep-seated inequalities. It introduces the work of a Madrid-based migrant women’s collective of domestic workers, most of whom are migrant women from Latin America and the Caribbean, called Territorio Doméstico. The article focuses on their latest performance project, the radionovela Querían brazos y llegamos personas, an eight-episode audio soap opera released in November 2020 over SoundCloud and later adapted for a stage performance. Written and performed by domestic workers during COVID-19, Querían brazos y llegamos personas is an important cultural product that demonstrates the connections between home and power, home and migration, and home and gendered labour politics.
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反抗之声:一部由家庭佣工创作并为其服务的广播小说
摘要:当世界于2020年3月进入封锁状态时,新冠肺炎大流行使人们意识到,权力动态和获得资本的途径如何在我们获得住房和在家体验方面发挥作用。这篇文章的重点是在经济、社会和身体脆弱性以及根深蒂固的不平等的背景下,移民家庭佣工如何创造性地与他们生活和工作的房屋协商关系。它介绍了一个总部位于马德里的家庭佣工移民妇女集体的工作,其中大多数是来自拉丁美洲和加勒比地区的移民妇女,名为Territorio Doméstico。这篇文章聚焦于他们最新的表演项目,radionovela Querían brazos y llegamos人物角色,这是一部八集的音频肥皂剧,于2020年11月在SoundCloud上发布,后来被改编为舞台表演。在新冠肺炎期间,由家庭佣工创作和表演的Querían brazos y llegamos人物角色是一种重要的文化产品,展示了家庭与权力、家庭与移民、家庭与性别劳动政治之间的联系。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
CiteScore
0.30
自引率
33.30%
发文量
54
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