Unbroken

Christina S. Morton
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引用次数: 2

Abstract

In this critical autoethnography, I examine my lived experiences as a Black woman doctoral student during the rise of the Black Lives Matter movement. Further, as I recount my academic journey in the wake of assaults to Black life and resulting Black resistance, I discuss the pedagogical interventions of Black women faculty members that made me feel as if my life and work mattered in their classrooms. I revisit spoken word poems and class assignments written between 2015 and 2017 along with news articles documenting national events occurring at the time as relevant texts to help me explore and understand my experiences. I utilize Critical Race Theory as an analytic lens, focusing on the following tenets: persistence of racism, critique of color-evasiveness, and counterstorytelling. I conclude with implications regarding how introducing graduate students to critical theory and methodologies can equip them with the tools to empirically explore and articulate their lived realities. Moreover, I discuss how such explorations can be validating and healing as students navigate particularly challenging academic and sociohistorical contexts. Additionally, I describe how providing students with creative outlets to express themselves in coursework can help them process their experiences and produce material that is humanizing, liberating, and life-giving. 
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在这本批判性的民族志中,我审视了在“黑人的命也是命”运动兴起期间,我作为一名黑人女博士生的生活经历。此外,当我讲述我在黑人生活受到攻击和由此产生的黑人抵抗之后的学术历程时,我讨论了黑人女教师的教学干预,这些干预让我觉得我的生活和工作在她们的课堂上很重要。我重温了2015年至2017年间写的口语诗和课堂作业,以及记录当时发生的国家事件的新闻文章,作为相关文本,帮助我探索和理解自己的经历。我利用批判性种族理论作为分析视角,关注以下原则:种族主义的持久性、对肤色回避的批判和反种族主义。最后,我对向研究生介绍批判性理论和方法论如何为他们提供实证探索和阐明生活现实的工具提出了一些启示。此外,我还讨论了当学生在特别具有挑战性的学术和社会历史背景下学习时,这种探索是如何验证和治愈的。此外,我还描述了如何为学生提供创造性的渠道,让他们在课堂上表达自己,帮助他们处理自己的经历,并制作出人性化、解放和赋予生命的材料。
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审稿时长
15 weeks
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