Tiempo de la vida, tiempos de la ficción: "Los diarios de Emilio Renzi" de Ricardo Piglia

Abstract

: In Ricardo Piglia’s Los diarios de Emilio Renzi , there is a multiple negotiation between the autobiographical writing of the three hundred and twenty seven notebooks throughout his life, the work of editing and fictionalizing them in three volumes, the pa - ratexts and the set of stories inserted throughout the narration. This negotiation, which is both a procedure and a compositional effect, entails friction between different times and on two levels. On the one hand, at the enunciative level: the original notebooks; the writing of the book and its publication between 2015 and 2017, and each of the