The 'Cockroach' Waste and Wasted Life in World Literatures in English

IF 0.1 0 LITERATURE Simplegadi Pub Date : 2021-11-01 DOI:10.17456/simple-175
C. Concilio
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Abstract

In this essay I intend to pursue a comparative reading of three postcolonial texts – in their intertextual and counter-canonical relationship with Franz Kafka’s The Metamorphosis (1915) – that deal with the ethics, but also the aesthetics, of the relationship between humans and animals. By doing so, and with the help of the Kafkian critical apparatuses, particularly Deleuze and Guattari’s critical contribution (1986), which will be the core of this study, I will also examine the nexus between literature and the environment, with particular emphasis on waste, also taking into consideration the paradigms of necropolitics (Mbembe 2003) and of écart (Jullien 2012). Kafka’s Curse (1997), by South African writer Achmat Dangor, Cockroach (2008) by Canadian-Lebanese Rawi Hage, and Blackass (2015) by Nigerian Igoni Barrett will be here analysed and scrutinised.
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世界英语文献中“蟑螂”的浪费与生命的浪费
在这篇文章中,我打算对三本后殖民文本进行比较阅读——它们与弗朗茨·卡夫卡的《变形记》(1915)存在互文和反规范的关系——它们涉及人与动物关系的伦理,但也涉及美学。通过这样做,并借助卡夫卡式的批判工具,特别是德勒兹和瓜塔里的批判贡献(1986年),这将是本研究的核心,我还将研究文学与环境之间的关系,特别强调浪费,同时考虑到坏死政治学(Mbembe 2003)和écart(Jullien 2012)的范式。南非作家Achmat Dangor的《卡夫卡的诅咒》(1997年)、加拿大黎巴嫩人Rawi Hage的《蟑螂》(2008年)和尼日利亚人Igoni Barrett的《黑屁股》(2015年)将在这里进行分析和审查。
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Simplegadi LITERATURE-
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