Fanwork Communication through Social Media: A Dynamic Practice of Celebrity Fans in China

Q3 Arts and Humanities Proceedings from the Document Academy Pub Date : 2022-08-01 DOI:10.35492/docam/9/1/8
Q. Guo
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引用次数: 0

Abstract

Contemporary Chinese celebrity fans mainly engage in two innovative types of fanwork communications through social media: 1) digital relays of sequentially creating and presenting their own complete fan art and fiction and 2) dissemination of fan-made non-digital peripheral materials by mail or in person after online showcasing. Based on unobtrusive observation and semi-structured interviews, this paper presents the specific steps in both types of communication activities among fans of two Chinese musical actors, Ayanga and Yunlong, on the Weibo platform. Exceeding fans’ traditional sole emphasis on cataloging their creations, these fanwork communications comprise the information creation (organization), dissemination, and preservation stages of an information communication chain. Fans also show an impulse to dynamically archive every step of their activities in the moment. While these fans mainly intend to enjoy their fanworks and support fan creators, their online archival records facilitate broader communications and development of contemporary fan culture while allowing fans to negotiate their own hierarchies in what they believe to be transparent ways.
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社交媒体同人传播:中国名人粉丝的动态实践
当代中国名人粉丝主要通过社交媒体进行两种创新类型的粉丝交流:1)依次创作和呈现自己完整的粉丝艺术和小说的数字接力;2)在线展示后,通过邮件或亲自传播粉丝制作的非数字周边材料。基于不引人注目的观察和半结构化的采访,本文介绍了阿扬加和云龙两位中国音乐剧演员的粉丝在微博平台上进行这两种类型的交流活动的具体步骤。这些粉丝作品的传播超越了粉丝们传统上对作品编目的单一重视,构成了信息传播链的信息创造(组织)、传播和保存阶段。粉丝们还表现出一种冲动,想要动态地存档他们当下活动的每一步。虽然这些粉丝主要是想欣赏他们的粉丝作品并支持粉丝创作者,但他们的在线档案记录促进了当代粉丝文化的更广泛交流和发展,同时允许粉丝以他们认为透明的方式协商自己的等级制度。
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来源期刊
Proceedings from the Document Academy
Proceedings from the Document Academy Arts and Humanities-Conservation
CiteScore
0.10
自引率
0.00%
发文量
9
审稿时长
10 weeks
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