“Perveen Mistry investigates”: representing the first Indian female lawyer in fiction

Shivangi Gangwar
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Abstract

ABSTRACT Sujata Massey’s lawyer-detective heroine Perveen Mistry is based on the real-life Cornelia Sorabji and Mithan Lam, the first female Indian lawyers. Over the course of three published novels, Mistry is shown as a true hero with agency over her life, one who investigates, gets into trouble, and ultimately solves cases, albeit with a little help from others. While there has been some representation of women legal professionals in Indian movies or series, the Perveen Mistry series marks the first such depiction in print. Since Mistry is based on real female lawyers, Massey has remained true to the historical realities of pre-Independence India. In this paper, I will examine how realistic is the portrayal of Perveen Mistry as India’s first female lawyer, drawing comparisons with Sorabji’s and Lam’s lives and the lived experiences of women lawyers today. I will also undertake a close textual reading of the novels to attempt a socio-political analysis of the three books’ plots and their role in making or breaking the female lead character. Emphasis will be placed on the interconnected themes of gender, religion, time, and law.
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“变态米斯特里调查”:小说中首位印度女律师的代表
摘要苏贾塔·马西的律师侦探女主角佩尔文·米斯特里以现实生活中的第一位印度女律师科妮莉亚·索拉布吉和米丹·拉姆为原型。在出版的三部小说中,米斯特里被描绘成一个真正的英雄,在她的生活中有代理权,一个调查、陷入麻烦并最终解决案件的人,尽管需要别人的一点帮助。虽然在印度的电影或连续剧中有一些女性法律专业人士的形象,但《变态迷雾》系列标志着第一部这样的形象出现在印刷品中。由于Mistry是以真正的女律师为原型的,Massey一直忠于独立前印度的历史现实。在这篇论文中,我将考察佩尔文·米斯特里作为印度第一位女律师的形象有多现实,并将其与索拉布吉和拉姆的生活以及当今女律师的生活经历进行比较。我还将仔细阅读这三本小说,试图对这三本书的情节及其在塑造或打破女主角中的作用进行社会政治分析。重点将放在性别、宗教、时间和法律等相互关联的主题上。
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