The influence of Confucianism on China's dulcimer performance

Abstract

Confucianism is an important theoretical support of the Chinese national spirit. It started with the Confucian school founded by Confucius. After the continuous enrichment and creation of Confucianism, it gradually formed an important guiding ideology covering people, people, society, people and nature, which had a far-reaching impact on politics, economy, literature, social life, and other fields. In the 1980s, the stable social environment brought by the reform and opening up provided a good external condition for developing dulcimer art in China. The increasing communication between Chinese and western cultures and ideas has brought new ideas for developing dulcimer art in China. Yangqin, in the form of "singing, dancing and telling stories,” shows the living state and ideal pursuit of literati in the Yuan Dynasty by shaping specific events and characters, thus being regarded as a "living fossil" that reflects the social outlook of the Yuan Dynasty. There is no doubt that the culture of Chinese dulcimer is based on Chinese traditional culture. It has obvious characteristics of the cultural orientation of Confucianism and Taoism and is also the result of the interaction between Chinese and Western cultural trends. This cultural orientation will involve the future development trend of Chinese dulcimer culture and will profoundly impact Chinese dulcimer culture in the 21st century.