Eastern and Western creativity of tradition

IF 0.5 2区 哲学 0 ASIAN STUDIES ASIAN PHILOSOPHY Pub Date : 2021-05-27 DOI:10.1080/09552367.2021.1933735
Conrong Wang, Qiduan Chen
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引用次数: 2

Abstract

ABSTRACT Western creativity is usually entrusted to the human imagination, regarded as a mental power capable of envisioning eternally original artefacts, while in the East creativity is entrusted to nature-in-the human, what Taoist philosophy calls qi, a spiritual power capable of reflecting the passing changes of nature in paintings, poems, and other forms of art. It is the intention of this paper to explore and elucidate these differences between the Western and Eastern conceptualizations of creativity, ending with a suggestion of one feature they may have in common.
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东西方传统的创造性
西方的创造力通常被赋予人类的想象力,被认为是一种能够永远想象原创艺术品的精神力量,而在东方,创造力被赋予人的自然,道教哲学称之为气,一种能够在绘画、诗歌和其他艺术形式中反映自然变化的精神力量。本文的目的是探讨和阐明西方和东方的创造力概念之间的这些差异,最后提出他们可能有一个共同的特征。
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来源期刊
ASIAN PHILOSOPHY
ASIAN PHILOSOPHY Multiple-
CiteScore
0.90
自引率
0.00%
发文量
21
期刊介绍: Asian Philosophy is an international journal concerned with such philosophical traditions as Indian, Chinese, Japanese, Buddhist and Islamic. The purpose of the journal is to bring these rich and varied traditions to a worldwide academic audience. It publishes articles in the central philosophical areas of metaphysics, philosophy of mind, epistemology, logic, moral and social philosophy, as well as in applied philosophical areas such as aesthetics and jurisprudence. It also publishes articles comparing Eastern and Western philosophical traditions.
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