The age of remix and copyright law reform

Q1 Social Sciences Law, Innovation and Technology Pub Date : 2020-01-02 DOI:10.1080/17579961.2020.1727087
Yahong Li
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引用次数: 2

Abstract

ABSTRACT The remix has emerged as a dominant force of creation in the digital and Internet age. The solutions under current copyright law such as fair use as well as voluntary, compulsory and public licencing have failed to adequately protect remix works and remixers, and as a result hampered the creativity of remix artists. New approaches are needed to cope with the challenges. This article proposes to add remix as a protectable subject matter; create a right to remix and grant it to remixers; obligate remixers to attribute source works to copyright holders and remunerate them for remixing; require the same remix rights and obligations to be passed on to future remixers; and impose a statutory levy on social media for using remixes. It is argued that the proposed approach can better protect remix creation and help achieve an optimal balance of interests between copyright holders, social media and users.
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混音时代与版权法改革
摘要混音已经成为数字和互联网时代的主导创作力量。现行版权法下的解决方案,如合理使用以及自愿、强制性和公共许可,未能充分保护混音作品和混音器,因此阻碍了混音艺术家的创造力。需要采取新的方法来应对这些挑战。本文建议将混音添加为可保护的主题;创建重新混音的权利,并将其授予重新混音者;要求混音者将源作品归属于版权持有人,并为他们的混音支付报酬;要求将相同的再混合权利和义务传递给未来的再混合人;并对使用混音的社交媒体征收法定费用。有人认为,所提出的方法可以更好地保护混音创作,并有助于实现版权持有人、社交媒体和用户之间的最佳利益平衡。
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来源期刊
Law, Innovation and Technology
Law, Innovation and Technology Social Sciences-Law
CiteScore
4.50
自引率
0.00%
发文量
18
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