J.R.R. Tolkien’s sub-creation theory: literary creativity as participation in the divine creation

Q1 Arts and Humanities Church, Communication and Culture Pub Date : 2021-01-02 DOI:10.1080/23753234.2021.1886860
María Del Rincón Yohn
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Abstract

Abstract J.R.R. Tolkien is recognized as one of the great literary creators of fantastic worlds. The English author added to his literary work a reflection on the role of the fantasy writer in his theory of sub-creation. This literary theory –exhibited mainly in his essay ‘On Fairy-Stories’ and in his letters– is based on the author's own cosmovision, clearly influenced by his Catholicism, and contemplates literary creation as an analogy of divine creation. This article deals with the Christian foundation present in the idea of participation in Creation that we find in Tolkien's theory of sub-creation. It proposes an overview of the main theological questions that support this participation, taking especially into account the contribution that John Paul II makes on this issue in his ‘Letter to Artists’.
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托尔金的次创造理论:文学创造是参与神的创造
摘要J·R·R·托尔金是公认的奇幻世界的伟大文学创作者之一。这位英国作家在他的文学作品中加入了对幻想作家在其亚创作理论中的作用的反思。这一文学理论主要体现在他的散文《论童话》和他的信件中,是基于作者自己的宇宙观,显然受到了他的天主教的影响,并将文学创作视为神圣创作的类比。这篇文章论述了我们在托尔金的亚创作理论中发现的参与创作思想的基督教基础。它概述了支持此次参与的主要神学问题,特别是考虑到约翰·保罗二世在《致艺术家的信》中对这一问题的贡献。
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来源期刊
Church, Communication and Culture
Church, Communication and Culture Arts and Humanities-Religious Studies
CiteScore
1.30
自引率
0.00%
发文量
14
审稿时长
21 weeks
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