Survey and restoration of outdoor glass reinforced polyester sculptures

Q3 Materials Science Koroze a ochrana materialu Pub Date : 2019-11-01 DOI:10.2478/kom-2019-0017
V. Knotek, J. Červinka, Z. Křenková
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Abstract

Abstract The beginning of the use of polyester resins for artistic work date back to the late 1950s. Initially, resins were supposed to temporarily replace and imitate traditional but more expensive sculptural materials (stone, bronze). Later, original, especially fiberglass works were created, where the laminate formed a shell connected to the internal supporting steel structure. Until now, only part of the exterior works of art made of polyester resins have been survived. Although polyester resins are considered to have good weather resistance, most exterior sculptures exhibit more or less severe defects, often resulting from neglected maintenance. The main types of defects occurring in polyester fiberglass works are presented. The most serious damage is cracks in the entire thickness of the shell, because water can easily penetrate to the internal steel structure. In the case of prolonged water penetration, the statue may collapse due to corrosion. The article presents the procedure of exploring the fiberglass sculpture from the 1950s with the introduction of suitable methods for the documentation of the state of the work. Finally, suitable restoration interventions to maximize the life of the statues are discussed.
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户外玻璃钢雕塑的调查与修复
摘要聚酯树脂在艺术作品中的应用可以追溯到20世纪50年代末。最初,树脂被认为是暂时取代和模仿传统但更昂贵的雕塑材料(石头、青铜)。后来,最初的,特别是玻璃纤维作品被创造出来,在那里,层压材料形成了一个连接到内部支撑钢结构的外壳。到目前为止,只有一部分由聚酯树脂制成的外部艺术品幸存下来。尽管聚酯树脂被认为具有良好的耐候性,但大多数外部雕塑或多或少都会出现严重的缺陷,通常是由于疏忽维护造成的。介绍了聚酯玻璃钢生产中出现的主要缺陷类型。最严重的损坏是整个外壳厚度的裂缝,因为水很容易渗透到内部钢结构中。在长时间渗水的情况下,雕像可能会因腐蚀而倒塌。本文介绍了从20世纪50年代开始探索玻璃纤维雕塑的过程,并介绍了记录作品状态的合适方法。最后,讨论了适当的修复干预措施,以最大限度地延长雕像的寿命。
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来源期刊
Koroze a ochrana materialu
Koroze a ochrana materialu Materials Science-Materials Science (all)
CiteScore
3.00
自引率
0.00%
发文量
8
审稿时长
14 weeks
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