Timbre Vibrato Perception and Description

IF 1.3 2区 心理学 0 MUSIC Music Perception Pub Date : 2021-02-01 DOI:10.1525/MP.2021.38.3.282
A. Almeida, Emery Schubert, J. Wolfe
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引用次数: 2

Abstract

In music, vibrato consists of cyclic variations in pitch, loudness, or spectral envelope (hereafter, “timbre vibrato”—TV) or combinations of these. Here, stimuli with TV were compared with those having loudness vibrato (LV). In Experiment 1, participants chose from tones with different vibrato depth to match a reference vibrato tone. When matching to tones with the same vibrato type, 70% of the variance was explained by linear matching of depth. Less variance (40%) was explained when matching dissimilar vibrato types. Fluctuations in loudness were perceived as approximately the same depth as fluctuations in spectral envelope (i.e., about 1.3 times deeper than fluctuations in spectral centroid). In Experiment 2, participants matched a reference with test stimuli of varying depths and types. When the depths of the test and reference tones were similar, the same type was usually selected, over the range of vibrato depths. For very disparate depths, matches were made by type only about 50% of the time. The study revealed good, fairly linear sensitivity to vibrato depth regardless of vibrato type, but also some poorly understood findings between physical signal and perception of TV, suggesting that more research is needed in TV perception.
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音色、颤音感知与描述
在音乐中,颤音包括音高、响度或频谱包络的循环变化(以下简称“音色颤音”——电视)或这些的组合。在这里,将电视刺激与具有响度颤音(LV)的刺激进行比较。在实验1中,参与者从具有不同颤音深度的音调中进行选择,以匹配参考颤音。当与具有相同颤音类型的音调匹配时,70%的方差通过深度的线性匹配来解释。当匹配不同的颤音类型时,方差较小(40%)。响度的波动被感知为与光谱包络的波动大致相同的深度(即,比光谱质心的波动深约1.3倍)。在实验2中,参与者将参考与不同深度和类型的测试刺激相匹配。当测试音和参考音的深度相似时,通常会在颤音深度范围内选择相同的类型。对于非常不同的深度,只有大约50%的时间是按类型进行匹配的。这项研究显示,无论颤音类型如何,对颤音深度都有良好的、相当线性的敏感性,但在物理信号和电视感知之间也有一些鲜为人知的发现,这表明在电视感知方面还需要更多的研究。
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来源期刊
Music Perception
Music Perception Multiple-
CiteScore
3.70
自引率
4.30%
发文量
22
期刊介绍: Music Perception charts the ongoing scholarly discussion and study of musical phenomena. Publishing original empirical and theoretical papers, methodological articles and critical reviews from renowned scientists and musicians, Music Perception is a repository of insightful research. The broad range of disciplines covered in the journal includes: •Psychology •Psychophysics •Linguistics •Neurology •Neurophysiology •Artificial intelligence •Computer technology •Physical and architectural acoustics •Music theory
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