Design in Iraq: Discourse and its Contextual Transformation

IF 0.7 3区 艺术学 0 ART Design and Culture Pub Date : 2021-12-14 DOI:10.1080/17547075.2021.2012006
Q. Saad
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Abstract

ABSTRACT This study tackles the topic of design in Iraq: its emergence and its signification of modernity since the post-independent era, during which Iraq was a regional center of pioneering Arabic movements in modern literature, arts, and architecture. Emergent design practices are visible in architecture and urban planning, which were delivered by key international architects. This study presents a historical account and contextual analysis of the vital contributions that these designs made to supporting the Iraqi modernity project. Moreover, it indicates the significant role and strategic domination of the sociopolitical order in shaping design practices and education in the country. Methodologically, this study draws from unstructured conversations with members of the Iraqi design community, followed by thematic and context analysis to identify design discourses transformation. The analysis demonstrates that in Iraq design: (a) is a signifier of modernity; (b) contributes to the enhancement of cultural identity and industrialization; (c) has been redirected toward patriotism; and (d) now suffers from decline and chaos.
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伊拉克设计:话语及其语境转换
摘要:本研究探讨了伊拉克设计的主题:自后独立时代以来,伊拉克的出现及其现代性的意义。在后独立时代,伊拉克是阿拉伯现代文学、艺术和建筑先驱运动的地区中心。新兴的设计实践在建筑和城市规划中随处可见,这些实践由主要的国际建筑师提供。本研究对这些设计为支持伊拉克现代性项目所做的重要贡献进行了历史叙述和背景分析。此外,它还表明了社会政治秩序在塑造该国设计实践和教育方面的重要作用和战略主导地位。在方法论上,本研究借鉴了与伊拉克设计界成员的非结构化对话,然后进行了主题和语境分析,以确定设计话语的转变。分析表明,伊拉克设计:(a)是现代性的象征;(b) 有助于增强文化特性和工业化;(c) 已转向爱国主义;和(d)现在遭受衰落和混乱。
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CiteScore
1.80
自引率
0.00%
发文量
34
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