{"title":"Design in Iraq: Discourse and its Contextual Transformation","authors":"Q. Saad","doi":"10.1080/17547075.2021.2012006","DOIUrl":null,"url":null,"abstract":"ABSTRACT This study tackles the topic of design in Iraq: its emergence and its signification of modernity since the post-independent era, during which Iraq was a regional center of pioneering Arabic movements in modern literature, arts, and architecture. Emergent design practices are visible in architecture and urban planning, which were delivered by key international architects. This study presents a historical account and contextual analysis of the vital contributions that these designs made to supporting the Iraqi modernity project. Moreover, it indicates the significant role and strategic domination of the sociopolitical order in shaping design practices and education in the country. Methodologically, this study draws from unstructured conversations with members of the Iraqi design community, followed by thematic and context analysis to identify design discourses transformation. The analysis demonstrates that in Iraq design: (a) is a signifier of modernity; (b) contributes to the enhancement of cultural identity and industrialization; (c) has been redirected toward patriotism; and (d) now suffers from decline and chaos.","PeriodicalId":44307,"journal":{"name":"Design and Culture","volume":null,"pages":null},"PeriodicalIF":0.7000,"publicationDate":"2021-12-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Design and Culture","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/17547075.2021.2012006","RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"ART","Score":null,"Total":0}
引用次数: 0
Abstract
ABSTRACT This study tackles the topic of design in Iraq: its emergence and its signification of modernity since the post-independent era, during which Iraq was a regional center of pioneering Arabic movements in modern literature, arts, and architecture. Emergent design practices are visible in architecture and urban planning, which were delivered by key international architects. This study presents a historical account and contextual analysis of the vital contributions that these designs made to supporting the Iraqi modernity project. Moreover, it indicates the significant role and strategic domination of the sociopolitical order in shaping design practices and education in the country. Methodologically, this study draws from unstructured conversations with members of the Iraqi design community, followed by thematic and context analysis to identify design discourses transformation. The analysis demonstrates that in Iraq design: (a) is a signifier of modernity; (b) contributes to the enhancement of cultural identity and industrialization; (c) has been redirected toward patriotism; and (d) now suffers from decline and chaos.