Black Folk, White Gaze: Folklore and Black Male Precarity

IF 0.4 3区 社会学 0 FOLKLORE JOURNAL OF FOLKLORE RESEARCH Pub Date : 2021-11-19 DOI:10.2979/jfolkrese.58.3.05
L. Wilkins
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引用次数: 1

Abstract

Abstract:The intersections of racism and economic oppression in the US have worked to put African American men in a state of perpetual precarity. This multiangled and aggressive oppression has resulted in high rates of educational instability, mass incarceration, and early death among this group. As such, a segment of Black male folklife engages and addresses illegal activity and incarceration. Further, aspects of Black male folklife have been used as evidence of Black male criminality. From language practices to dress to hip hop and more, the folklife of Black men has a reciprocal relationship with crime, punishment, and physical vulnerability. This phenomenon also extends to Black men doing folklore work.In this article, I use historical and contemporary case studies as well as personal reflections to examine the complex precarity of Black male life through its relationship to folk practices. This piece will explore folklife as a tool of oppression, voice of protest and affirmation, and field of practice that illuminates the nuances of Black male subjugation. Ultimately, the purpose of this article is to provide important considerations for academic and public sector folklorists who engage with Black male folk genres and tradition bearers.
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黑人民间、白人凝视:民间传说与黑人男性的不稳定
摘要:美国的种族主义和经济压迫交织在一起,使非裔美国人永远处于不稳定的状态。这种多角度的侵略性压迫导致了这一群体的高教育不稳定率、大规模监禁率和早逝率。因此,黑人男性民间生活的一部分涉及并解决非法活动和监禁问题。此外,黑人男性民间生活的各个方面也被用作黑人男性犯罪的证据。从语言练习到着装再到嘻哈等等,黑人男性的日常生活与犯罪、惩罚和身体脆弱性有着相互关系。这种现象也延伸到从事民间传说工作的黑人。在这篇文章中,我运用历史和当代的案例研究以及个人反思,通过黑人男性生活与民间习俗的关系,来审视其复杂的不稳定性。这篇文章将探讨作为压迫工具的民间生活、抗议和肯定的声音,以及阐明黑人男性征服的细微差别的实践领域。最终,本文的目的是为从事黑人男性民间流派和传统传承的学术和公共部门民俗学家提供重要的考虑。
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来源期刊
CiteScore
0.60
自引率
0.00%
发文量
1
期刊介绍: The Journal of Folklore Research has provided an international forum for current theory and research among scholars of traditional culture since 1964. Each issue includes topical, incisive articles of current theoretical interest to folklore and ethnomusicology as international disciplines, as well as essays that address the fieldwork experience and the intellectual history of folklore and ethnomusicology studies. Contributors include scholars and professionals in additional fields, including anthropology, area studies, communication, cultural studies, history, linguistics, literature, performance studies, religion, and semiotics.
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