The discursive strategies used by Langston Hughes in the construction of whiteness and blackness

Ra'ed Awad Al-Ramahi, R. A. Rashid, O. Al-Smadi, Hanita Hanim Ismail
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Abstract

This article seeks to identify the main discursive strategies employed by Langston Hughes in constructing entities, people’s images and entire social reality in his poetic discourse. More specifically, this article examines how the discursive strategies contribute to the construction of whiteness and blackness. Data was generated from sixty purposively selected Hughes’ poems, which were analysed using thematic analysis and Van Dijk’s critical discourse analysis. Van Dijk’s CDA was selected as a theoretical framework in this study as it draws knowledge from several fields, including sociology, psychology, politics and economics, which contribute to deepening the insights of this study. The analysis of data revealed that Hughes constantly constructs whiteness and blackness through four discursive strategies, which are actor description, resource description, self-identity descriptions and norm and value descriptions. The findings also show that these strategies contribute to the construction of whiteness and blackness by means of highlighting the positive-self and negative other-representations as well as the power relations between Whites and Blacks. It is hoped that this study deepens the understanding of Hughes’ poetic discourse and adds novel insights into whiteness and blackness in the American context.
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兰斯顿·休斯建构白与黑的话语策略
本文试图辨析兰斯顿·休斯在诗歌话语中构建实体、人物形象和整个社会现实的主要话语策略。更具体地说,本文探讨了话语策略如何促成白与黑的建构。数据来源于有意挑选的60首休斯诗歌,使用主题分析和范戴克的批评话语分析对其进行分析。本研究之所以选择Van Dijk的CDA作为理论框架,是因为它借鉴了社会学、心理学、政治学和经济学等多个领域的知识,有助于加深本研究的见解。数据分析表明,休斯通过行动者描述、资源描述、自我认同描述和规范与价值描述四种话语策略不断建构白与黑。研究结果还表明,这些策略通过突出白人和黑人之间的积极自我和消极他者表征以及白人和黑人之间的权力关系,促进了白人和黑人的建构。希望本研究能加深对休斯诗歌话语的理解,并对美国语境中的白与黑增添新的见解。
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Journal of Language and Linguistic Studies
Journal of Language and Linguistic Studies Arts and Humanities-Language and Linguistics
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