O teatr przyszłości. Zapomniane źródła włoskiego myślenia performatycznego

Q4 Arts and Humanities Przestrzenie Teorii Pub Date : 2023-07-11 DOI:10.14746/pt.2022.38.22
Katarzyna Woźniak-Shukur
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Abstract

Italian theater studies in 20th century focused on the theater as the art of staging a dramatic text and it’s analysis. Over the past decade, theater anthropology and performance studies make their way among these relics of the past century slowly but effectively, and the sources of the Italian performance studies are indicated in the 1960s and 1970s. Meanwhile, the interest of Italian researchers in restored behavior is reflected in texts published in-between the two world wars. The subject of the analysis are two texts by Corrado Pavolini who we consider to be a precursor of Italian performance studies.
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未来的剧院。被遗忘的意大利表演思维来源
20世纪意大利戏剧研究的重点是戏剧作为戏剧文本的表演艺术及其分析。在过去的十年中,戏剧人类学和表演研究在这些上个世纪的遗迹中缓慢而有效地发展,意大利表演研究的来源是在20世纪60年代和70年代指出的。与此同时,意大利研究人员对恢复行为的兴趣反映在两次世界大战之间出版的文本中。分析的主题是科拉多·帕沃利尼的两篇文本,我们认为他们是意大利表演研究的先驱。
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来源期刊
Przestrzenie Teorii
Przestrzenie Teorii Arts and Humanities-Literature and Literary Theory
CiteScore
0.10
自引率
0.00%
发文量
1
审稿时长
16 weeks
期刊介绍: “Przestrzenie Teorii” is a theoretical and literary journal of scholarly criticism. The journal is peer-reviewed and reflects the research interests of authors from across a wide range of universities in Poland, as well as presents translations of texts of distinguished foreign theoreticians in literature. The journal undertakes to present key and essential problems in the contemporary criticism and theory of literature, and provides a platform for a transdisciplinary dialogue. The published texts, presented in diversified methodological approach, address both aesthetical and poetical problems in different areas of research, encompassing theatre and film, but also drama and art (in particular, visual and performative art forms). The journal is characterized by its interdiciplinary approach, participates in the present-day scholarly discourse in the philosophy of science and attempts to effect its policy of fostering the polyphonic form of literary studies in drama. “Przestrzenie Teorii” is published semi-annually.
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