Transitions revisited: The end of the Portuguese colonial empire in Luso-African cinema (1974–2014)

IF 0.2 0 FILM, RADIO, TELEVISION Journal of African Cinemas Pub Date : 2018-12-01 DOI:10.1386/JAC.10.3.177_2
Teresa Pinheiro, Robert Stock
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Abstract

The 1974 Carnation Revolution set one of the greatest upheavals of LusoAfrican contemporary history in motion. It brought about the end of almost half a century of dictatorship and 500 years of colonial rule, which had become anachronistic and had been opposed by various independence movements since the 1950s. For Angola, Cape Verde, East Timor, Guinea-Bissau, Mozambique and São Tomé and Príncipe, 1974 meant the end of a long fight for independence, but also sparked civil war, massacres, displacement and migration. The process of coming to terms with these events is still incomplete. For Portugal, it meant coping with the loss of its empire, being confined to its European territory and accepting its own postcolonial condition.
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重新审视转型:葡萄牙殖民帝国在卢索非洲电影中的终结(1974–2014)
1974年的康乃馨革命引发了卢索非洲当代史上最大的动荡之一。它结束了近半个世纪的独裁统治和500年的殖民统治,这些统治已经不合时宜,自20世纪50年代以来一直遭到各种独立运动的反对。对于安哥拉、佛得角、东帝汶、几内亚比绍、莫桑比克以及圣多美和普林西比来说,1974年意味着长期独立斗争的结束,但也引发了内战、大屠杀、流离失所和移民。接受这些事件的过程仍然不完整。对葡萄牙来说,这意味着要应对帝国的损失,被限制在欧洲领土上,接受自己的后殖民状态。
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来源期刊
Journal of African Cinemas
Journal of African Cinemas FILM, RADIO, TELEVISION-
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0.40
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期刊介绍: The Journal of African Cinemas will explore the interactions of visual and verbal narratives in African film. It recognizes the shifting paradigms that have defined and continue to define African cinemas. Identity and perception are interrogated in relation to their positions within diverse African film languages. The editors are seeking papers that expound on the identity or identities of Africa and its peoples represented in film. The aim is to create a forum for debate that will promote inter-disciplinarity between cinema and other visual and rhetorical forms of representation.
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