Return, Remembrance and Redemption: Hauntology and the Topography of Trauma in The Virtues and This Is England ’88

IF 0.2 1区 艺术学 0 FILM, RADIO, TELEVISION Journal of British Cinema and Television Pub Date : 2022-01-01 DOI:10.3366/jbctv.2022.0603
Jack Anderson
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Abstract

This article takes a hauntological approach to explore Shane Meadows's preoccupation with (post)traumatic return, focusing on the TV series The Virtues (Channel 4, 2019) and This Is England ’88 (Channel 4, 2011), which are correlatives in their sophisticated explication of hauntological trauma. Using Jacques Derrida's theoretical neologism ‘hauntology’, the haunting cycles which are signatures in Meadows's work are understood as spectres of an unresolved past and symptoms of repressed knowledge. As explored by Meadows, the psychological breakdowns of key characters Joseph and Lol are articulated as a ghostly resurfacing of unprocessed trauma from the past. By highlighting Meadows's use of return, remembrance and redemption as a triadic narrative pattern, the article will show how Meadows depicts the transformative efficacy of traumatic return through using the haunting as a potentially restorative device.
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回归,记忆和救赎:《美德》和《这就是英格兰》中幽灵学和创伤地形
本文采用鬼魂学的方法来探讨Shane Meadows对创伤后回归的关注,重点关注电视剧《美德》(2019年第四频道)和《这是英格兰的88》(2011年第四频道),这两部电视剧在对鬼魂学创伤的复杂解释上是相互关联的。利用雅克·德里达的理论新词“幽灵学”,梅多斯作品中的幽灵循环被理解为未解决的过去的幽灵和被压抑的知识的症状。正如梅多斯所探索的那样,主要角色约瑟夫和Lol的心理崩溃被清晰地表达为过去未处理的创伤的幽灵再现。通过强调梅多斯将回归、记忆和救赎作为一种三合一的叙事模式,文章将展示梅多斯如何通过将萦绕作为一种潜在的恢复手段来描述创伤性回归的变革功效。
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来源期刊
Journal of British Cinema and Television
Journal of British Cinema and Television FILM, RADIO, TELEVISION-
CiteScore
1.20
自引率
11.10%
发文量
53
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